A Quote by Anderson Cooper

I am sort of drawn toward places in the world where there is struggle and conflict. — © Anderson Cooper
I am sort of drawn toward places in the world where there is struggle and conflict.
I am drawn towards the sort of characters who are in situations where they don't want to be in. But that's a staple in pretty much in any hero's journey because if you have non-reluctant protagonist then how is there any conflict?
It's wild, how many places of conflict that have fashion weeks. It's becoming some sort of marker for these countries that says, 'We are in conversation with the rest of the world.'
Some philosophers are drawn to the subject [of philosophy] via their interest in the nature and structure of the world external to us. Others are drawn to it by an interest in the capacities that make humans distinctive in the world. I am a philosopher of the latter sort. My work thus far has been clustered around the nexus of knowledge, communication, and human action.
To a greater or lesser extent there goes on in every person a struggle between two forces: the longing for privacy and the urge to go places: the introversion, interest directed within oneself toward one's own inner life of vigorous thought and fancy; and extroversion, interest directed outward, toward the external world of people and tangible values.
In a world of noise, confusion and conflict it is necessary that there be places of silence, inner discipline and peace. In such places love can blossom.
I am drawn to cold, desolate places rather than Hawaii. I actually love Hawaii too, but I tend to go to Iceland or Norway or Northern Japan - northern places for whatever reason. Which aren't necessarily the best places to tour.
Human nature being what it is, peace must inevitably be a relative condition. The essence of life is struggle and competition, and to that extent perfect peace is an almost meaningless abstraction. Struggle and competition are stimulating, but when they degenerate into conflict it is usually both destructive and disruptive. The aim of political institutions like the United Nations is to draw the line between struggle and conflict and to make it possible for nations to stay on the right side of that line.
I've always been drawn to stories and characters facing some sort of struggle against forces beyond our control, be it love, loss, betrayal.
I am always drawn back to places where I have lived, the houses and their neighborhoods.
I am drawn to women who are independent and creative, which is problematic because it's a struggle, a competition of careers. There's jealousy.
I balance things better and don't kill myself so much, but conflict makes me a more interesting actress to watch. The places I go to pull emotions from, I think if you have a perfect, happy life, you just don't have those places. And I want those places. I'm proud of those places.
Me, who's educated classically, I went toward rock music 'cause it was sort of a natural evolution from where I was playing with my brother. But I was always drawn back into classical music.
It's not so easy to be gay or even a woman in some places in the world, and in many countries, it's illegal to be gay. You can be put to death. It's a global struggle. A human rights struggle on a global scale.
Are you the new person drawn toward me? To begin with, take warning, I am surely far different from what you suppose.
Like a researcher in his laboratory, I am the first spectator of the suggestions drawn from the materials. I unleash their expressive possibilities, even if I do not have a very clear idea of what I am going to do. As I go along with my work I formulate my thought, and from this struggle between what I want and the reality of the material - from this tension - is born an equilibrium.
It hardly needs saying that such mutualistic communities will also be plagued by conflict. Conflict is at the very heart of life, resulting not simply from the malevolence of others in the struggle for place or portion, but also from the fact that men of the best will in the world seem to suffer incurably, so far as one can tell, from what William Jame called "a certain blindness" in perceiving the vitalities of others.
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