A Quote by Anderson Cooper
A lot of compelling stories in the world aren't being told, and the fact that people don't know about them compounds the suffering.
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I love telling stories. I think of myself as a storyteller, and I don't feel bound by being just a singer or an actress. First, I'm a storyteller, and history is stories - the most compelling stories. There is a lot you can find out about yourself through knowing about history. I have always been attracted to things that are old. I have just always found such things interesting and compelling.
Each of us is comprised of stories, stories not only about ourselves but stories about ancestors we never knew and people we've never met. We have stories we love to tell and stories we have never told anyone. The extent to which others know us is determined by the stories we choose to share. We extend a deep trust to someone when we say, "I'm going to tell you something I've never told anyone." Sharing stories creates trust because through stories we come to a recognition of how much we have in common.
William Shakespeare was the most remarkable storyteller that the world has ever known. Homer told of adventure and men at war, Sophocles and Tolstoy told of tragedies and of people in trouble. Terence and Mark Twain told cosmic stories, Dickens told melodramatic ones, Plutarch told histories and Hans Christian Andersen told fairy tales. But Shakespeare told every kind of story – comedy, tragedy, history, melodrama, adventure, love stories and fairy tales – and each of them so well that they have become immortal. In all the world of storytelling he has become the greatest name.
You want to put out good vibes for the viewers, even if so many stories that have to be told and that need to be told have a lot of darkness in them, because the world has a lot of darkness in it.
A lot of my family weren't present when I was young, so I was getting a lot of stories told to me about them. Certain members of family had reputations because they were involved in crime and stuff like that. Then, when I was out on the streets, I'd be hearing more stories about them. So I think my whole upbringing was just heavily story-oriented.
'Cosmos' wouldn't deserve its place in primetime evening network television were it not a landscape on which compelling stories were told. People, when they watch TV in the evening, want to see stories, and science simply tells the best stories.
There's nothing bad about feminism. We have to help each other, because there's a lot of women in the world who are suffering because the fact is we're not equal. It's as plain as that. It's still a men's world. I don't know. We'll go on with it.
I don't go looking for stories with the idea of wrongness in my head, no. But the fact is, a lot of great stories hinge on people being wrong.
The world is full of suffering. Birth is suffering, decre- pitude is suffering, sickness and death are sufferings. To face a man of hatred is suffering, to be separated from a beloved one is suffering, to be vainly struggling to satisfy one's needs is suffering. In fact, life that is not free from desire and passion is always involved with suffering.
There's something exhilarating about telling stories that haven't been shared before and haven't been told publicly before. The last thing I want to be doing is telling stories other people have already told. That's not to say that there isn't important work out there about people in positions of power, but I know my strength. Even when I was at the Wall Street Journal 10 years ago, this is what I wrote about.
I dont go looking for stories with the idea of wrongness in my head, no. But the fact is, a lot of great stories hinge on people being wrong.
You see women struggling to keep it all together while a loved one is in jail. But we don't hear about them or their struggles in a way that resonates with others. Their stories are so compelling. It's as if they are in their own little world and no one else sees them.
I see a huge, huge divide between the people who are facing the most barriers and violence and the kinds of stories being told in mainstream American politics. The issues that I think most about - how many people's lives are being affected by prisons and policing, how many people's lives are being affected by immigration enforcement and deportation - those stories aren't being touched, let alone told, in mainstream politics.
Readers are hungry to have their stories in the world, to see mirrors of themselves if the stories are about people like them, and to have windows if the stories are about people who have been historically absent in literature.
I see a lot of people who have amazing stories but have been told that their work, their lives, and their stories and not the stuff of literature. Or they're first-generation college student, first-generation American, and their family just doesn't understand the art world. They have a lot of guilt. "We came all the way from [wherever] so you could do this?" Those people may not be showing the moxie, but that's because they don't even know what's possible. So I want to jump in and say, "Actually, your story is amazing, and I believe in you.".
You know, we've been right on everything, haven't we? We told people about drones five years ago, didn't we? We told people about the NSA five years ago, didn't we? We told them about indefinite detention. We told them you can't come after the internet, that's unconstitutional. You can't do warrantless searches, that's unconstitutional.
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