A Quote by Anderson Cooper

Learning what you don't want to do is the next best thing to figuring out what you want to do. — © Anderson Cooper
Learning what you don't want to do is the next best thing to figuring out what you want to do.
Learning what you don't want to do is pretty valuable, it may be as valuable as figuring out what it is you do want to do.
I'm at a period in my life when I'm figuring out my idea of who I am and what I want and how to hold onto love -- all that big stuff. And I'm starting to realize that it can happen at any age. I know people who are in their 50s who are figuring out what they want and who they are, and I think it's great. It's like you're always approaching life as a beginner.
I think there's a lot of learning process in figuring out what things you want to do and shouldn't do. Maturing in that way is something that comes with experience and time.
I tell women to stop learning how to keep a man and make him happy, and to try figuring out what they want from a relationship, to trust their own instincts and not worry about pleasing someone else.
I've gained so much confidence as a woman from figuring out that I don't want to be destructive. I don't want to stomp through the world and be number one. I just want to tread really lightly and not destroy anything. Hopefully, I can try to mend some things. That's my goal.
They [ Factory Records] are always looking for the next group, the next big thing, to bring the record sales in and for them to promote and everything, but Factory just sign who they want to, put records by who they want to out, package it how they want to, how they like doing it. It's just run like that.
I've been working a lot on figuring out how to sing differently and better. I want to become a better singer. I want to sing out more. I want to me more extroverted, vocally.
This is a competitive business - there are a lot of women who want these jobs, but experience, education, and smarts go a long way. I'm still figuring it out - I learn new things every day. Once you stop learning, you should get out of the business. It's just really about being hungry for more.
Figure out what you want, how you want to feel, whatever your motivation is, you have to figure it out. That's step one: where do you want to be? The next thing is just trying to get there and cutting yourself some slack along the way. You're going to have days when you veer off your path, then just get right back on. We all have cheat days, holidays, or celebrations, whatever or period when we can't work out as much as we like, and just do the best you can and when you can get back on track, get back on track.
Getting what you want is just as difficult as not getting what you want. Because then you have to figure out what to do with it instead of figuring out what to do without it.
So you have the challenge of just learning the lines, period, and not only learning them, but learning them to the extent that you assimilate them, so that you're not worried about what the next word is coming out of your mouth when it comes to doing a scene. And you're also in the trenches with the writers, just in the wonderful kind of back and forth of how is it best to say something, even if it involves four or five words. I love that kind of thing.
At least I want to be making films that are somehow born out of me that are stories I want to tell. The challenge is figuring out how to do it where you can make them personal, yet still deliver to an audience a film experience that is satisfying and emotional, and that's what I'm trying to do.
I don't want people thinking of me sexually. I don't want people to be like, 'She's hot-looking,' you know? I want them to listen to me for what I am saying. And I think the best way to do that is to sniff my armpits, and like, sit and burp every now and then. It just completely throws people off. I had a couple of offers to do some hot scenes in the shower with some guy and to make it real hot and sexy. The next thing you know, I'd be the next J.Lo or something. But that's easy. I want it the hard way.
You want someone you can sit with in sweats, plus go out with. You want them to have a lot of best friend qualities, but you want to make sure that you have the spice and passion that you wouldn't have with your best friend. You want the relationship to be one step beyond that.
A slick way to outfigure a person is to get him figuring you figure he's figuring you're figuring he'll figure you aren't really figuring what you want him to figure you figure.
Hollywood 'friends' are only after one thing. They're looking out for the next big thing, and they don't want to miss out on you just in case.
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