A Quote by Anderson Cooper
Each child’s story is worthy of telling. There shouldn’t be a sliding scale of death. The weight of it is crushing.
Related Quotes
As deaths have accumulated I have begun to think of life and death as a set of balance scales. When one is young, the scale is heavily tipped toward the living. With the first death, the first consciousness of death, the counter scale begins to fall. Death by death, the scales shift weight until what was unthinkable becomes merely a matter of gravity and the fall into death becomes an easy step.
Jerome was sliding and climbing on top of me and it felt like it had the night before, like a crushing weight. So do boys and men announce their intentions. They cover you like a sarcophagus lid. And call it love.
Being an actor is an extension of telling a story and I loved story telling as a child.
Each of the 'Toy Story's are telling an emotional story, but they're comedic. They're so successful creatively in terms of the stories they're telling. And they're pretty grounded.
Recognize that whether you are worthy or not is all a made-up 'story'...Nothing has meaning except for the meaning we give it...There's no one who comes around and stamps you 'worthy' or 'unworthy'. You do that. You make it up. You decide it...If you say you're worthy, you are. If you say you're not worthy, you're not. Either way you will live into your story.
Every story is flawed, every story is subject to change. Even after it is set down to print, between covers of a book, a story is not immune to alteration. People can go on telling it in their own way, remembering it the way they want. And in each telling the ending may change, or even the beginning. Inevitably, in some cases it will be worse, and in others it just might be better. A story, after all, does not only belong to the one who is telling it. It belongs, in equal measure, to the one who is listening.
To Kiyomori each stall, each soul here seemed borne under by the crushing weight of the world; everyone here was a pitiful weed, trodden underfoot -- a conglomeration of human lives putting down roots in this slime, living and letting live in the struggle to survive; and he was stirred by the fearful and magnificent courage communicated by the scene.
There's no quit in our family. Our dad was the chief proponent of that. [On the set] we were constantly telling each other, Stay true to the story, we know that we love each other, keep communication open. We knew how unique this was-you're doing a movie that really could be put out there all over the world, and you're telling this personal story about your family.
I'm a storyteller, and as a story-teller, you see that each country, and therefore the language that it speaks has its very own way and very unique way of telling a story. And there's a lot to be learned from each country, and each language, and how they tell a story.
The consciousness in each man is a sliding scale, which identifies him now with the First Cause, and now with the flesh of his body; life above life, in infinite degrees.
Child,' said the Lion, 'I am telling you your story, not hers. No one is told any story but their own.
I don't look at comedy as a sliding scale of offensiveness.
Filmmaking, whatever the window dressing or the scale of a film may be, is eventually about telling a story.
I think that people have to have a story. When you tell a story, most people are not good storytellers because they think it's about them. You have to make your story, whatever story it is you're telling, their story. So you have to get good at telling a story so they can identify themselves in your story.
And, in a funny way, each death is different and you mourn each death differently and each death brings back the death you mourned earlier and you get into a bit of a pile-up.
A good story is alive, ever changing and growing as it meets each listener or reader in a spirited and unique encounter, while the moralistic tale is not only dead on arrival, it's already been embalmed. It's safer that way. When a lively story goes dancing out to meet the imagination of a child, the teller loses control over meaning. The child gets to decide what the story means.
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