Ask about music growing up, I'll tell you I grew up playing classical music, and I didn't grow up in a musical household.
I kind of grew up a guitar nerd and I tried to figure out how to shred on an acoustic guitar as a kid, while listening to jazz or whatever. So that is kind of a different thing and my church background, growing up with worship kind of the ground that I learned how to play music from. Those are all odd ways of growing up, compared to most people, so I think the music has plenty of uniqueness in that.
It's very hard to grow up in the African American church and for music to not be in your veins. It's just part of the fabric of who we are as people, especially black musicians.
I think a lot of musicians play for the playback. I mean, that's the joy of recording - you want to hear what you've done and what you've contributed - but never listening to that playback kind of removes the intellectual part of making music, and it removes the tendency to be revisionist.
When I was growing up, I grew up in church--my father was a pastor--so when I was growing up in Trinidad, I'd close all the windows in the church and go in the church every day after school and get a little microphone and pretend all these people were in the pews, and I would sing to them.
Growing up in a house where there was a lot of different musical influences - my mom listens to soul stuff and Top 40, my sisters would listen to hip-hop - and the church, I grew up listening to a lot of gospel stuff. So I think that plays a role in how I make music now because my music has a lot of range. I don't just do one thing.
My dad is a huge folk music fan, so growing up, there were always records playing in my house. Carole King, James Taylor, Simon and Garfunkel, the Beatles - I grew up with this music, and I was aware of how special this music was to a lot of people.
Church is the textured context in which we grow up in Christ to maturity. But church is difficult. Sooner or later, though, if we are serious about growing up in Christ, we have to deal with church. I say sooner.
My grandfather was a massive influence in my music. Growing up, he would play a lot of old-school records to me. A lot of jazz and swing music, actually, growing up.
When I was growing up, I didn't realize that the idiosyncrasies of my mother's character had something to do with our culture. After growing up and reflecting and making more Asian-American friends, I learned that a lot this is something a lot of people grow up with.
The church we grew up playing at was not one of those churches known for its music, but it was just this all-around energy that would be happening because, at the same time we'd be playing in church, we'd be playing in the city jazz band under Reggie Edwards.
My parents met in music school and my father was a music professor and conductor. Growing up, we always had classical and contemporary music playing. There was a lot of Mozart and the Beatles.
I'm a music fan - I love meeting other musicians, I love talking to other musicians - and what greater opportunity to take advantage of whatever standing we might have to try and attract people? To say 'We don't know you, but we love you, and will you come play with us?' Sometimes they actually do.
I would think, to me, growing up in the south, growing up with all the gospel music, singing in the church and having that rhythm and blues - the blues background was my big inspiration.
Growing up in a bluegrass or acoustic-oriented world, the musicians become so focused on performance, as far as playing. We tend to overanalyze the notes, so you're always trying to sharpen everything up.
I get better at playing the guitar and piano, every time we do a record because we practice more and the years go by and it's just what happens. It is just growing up, and it's cool how over the years the fans grow up and we grow up, and it just kind of works together.