A Quote by Anderson Paak

There's quite a few artists that didn't pop off until they were a little older - Rick James being one. — © Anderson Paak
There's quite a few artists that didn't pop off until they were a little older - Rick James being one.
I'm still James Johnson. Rick James is a stage name. James Johnson keeps Rick James on the ground... Kind of sort of.
I mean, Rick James was just a man-made image, the image I created. Just trying to live Rick James almost killed me.
The whole thing with the Rick James story sketch and the Prince story sketch - I recounted my past, you know? - and that's what I was doing. It's not like I sat down and said I want to come up with a great story about Rick James. That stuff really happened.
The great music for so many artists - the Beatles, the Rolling Stones - was always at the moment when they were closest to pop. It would be easy for U2 to go off and have a concept album, but I want us to stay in the pop fray.
Insecurity prevents young artists from 'flying' and older artists from being 'down to earth.' Young artists should work on their confidence and the older ones on their humility.
I personally have never trusted museums. ... It is because museums, broadly speaking, live off of the art and artifacts of others, often art and artifacts that have been obtained by dubious means. But they also manipulate whatever it is they present to the public; hence, until Judy Chicago, in the 1970s ... few women artists were hung in any major museum. Indian artists? Artifacts only, please. Black artists? Something musical, maybe? And so forth.
Little ideas can pop into one's head at any time, and if I'm being reasonably efficient I've got it close enough to hand, then I pop that little tiny moment of a few seconds down onto a tape and then I can forget about it for... years sometimes.
Kerry James Marshall especially was a huge influence on me in graduate school, as were Wangechi Mutu and Julie Mehretu. These artists are titans. My education was also very much in comic books, so I've been going to comic book events in New York and have met a few artists there.
Technically I have siblings, but they are quite a bit older than me - I was the accident - so I have the only-child syndrome going on. I'm a little more selfish, a little more independent, a little closed. I do wish I were softer. I wish I were able to form relationships better.
Women were quite terrifying until I was older. I think that's partly down to confidence.
Bernard [Leach] knew Ben Nicholson, Barbara Hepworth, Terry Frost, Peter Lanyon, Johnny Wells. I can think of a number of people that we met there just because we were living with Bernard. Some of them became our friends, particularly the younger artists, but we were privileged to at least meet and talk with the older artists also. And they would come to dinner, and we would simply be included in the conversation, which was quite fascinating.
I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.
I've worked with jazz artists, country artists, classical artists, pop artists. I never wanted there to be categories, because when I was a kid there weren't.
I would love to tackle an older role and have a little bit more depth, but I do get to have fun with the roles, and I'm quite happy playing young. I quite enjoy being the baby of the cast. It's fun.
Like many actors, I started off as a monkey. My first job ever was as an extra in Tim Burton's 'Planet of the Apes.' I'm the tiny little monkey in the background. I met Rick Baker doing that - then, because of my size and the fact I was older than 18, he figured I could double Daveigh Chase in 'The Ring.'
The only thing the Pop Artists had in common is that we all had been commercial artists in some manner. Lichtenstein was a draftsman; I was a billboard painter, but we didn't work together. I didn't meet Andy Warhol until 1964.
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