A Quote by Andi Zeisler
It's very easy to co-opt subcultures, and I think that scene was very easily coopted, not just on a feminist level but on a capitalist level in general. It's hard to see now because, to me, now there are so many competing pluralistic subcultures.
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There's that effect that is very physical, very down there at the synaptic level, which really means microscopic cellular level, but also molecular level, because all of those structures are operating on an electrochemical basis and so the changes there are very important.
I think independent movies are actually very challenging right now, because it was this huge scene and it was great for a few years. Then, it was totally co-opted by the studios. Now, it's become very corporate, the independent scene.
Look, it's very easy to sit here right now with some films in the bank that I like and think I have a shot and feel pretty cocky. But, you know, three years from now, I could very easily be saying, 'Paper or plastic?'
I love it right now. I love being retired. I think I retired at a perfect time in my career. Now I get an opportunity to spend time with my wife and kids and get to be very supportive of them. My son is playing football right now. My daughter is in gymnastics. Both are competing at a high level. So it came at the right time.
It's easy to reach a certain level with chess, but it's very hard to reach the next level.
When you're talking with a person at this level of the government, at the very highest level, I think you have to be very discreet because he, President Clinton, is very aware that anything he says publicly can have a profound impact on American politics and on world politics.
I think in some ways it would make more sense to have as a poverty level a relative concept and say, the level of poverty is that level of income or that level of consumption below which 10 percent of the people now are.
I'm very lucky with the people that recognise me - it's at a very tolerable level. I don't think I could handle the level of recognition which David Beckham has.
I've always been into subcultures. In the '50s and '60s, what Pierre Molinier was doing was super subculture - he was taking self-portraits, it was very private, very intimate. I think that's actually how I started my drag - in my bedroom, taking MacBook self-portraits.
I'm competing with everyone, but it's okay because they're not aware. I can't shut that impulse off. And I'm glad, because that impulse keeps me on the treadmill. If I didn't have it, I would be like, "Great! Ten minutes! I'm good." But if I'm competing, I can see what level someone's on and I can top it.
I am a feminist - I just think the label reflects my beliefs - but, you know, we say 'Rookie' is a website for teenage girls, not a feminist website for teenage girls. That's not because I'm not proud to call myself a feminist, but when you're calling attention to a project, you can very easily be pigeonholed by choosing certain identifiers.
I'm so thankful for the Internet because actors and singers and performers now have a way to connect with their fans on a very personal level which I think is quite special.
I've been a performer in the public eye for many years now and it's much darker. It feels so worse now. It feels heavy; it's difficult to deal with. The hatred is unbelievable, but I actually feel a lot more compassion for the journalists and people who aren't used to that. At least on some level, it's been a part of my world for a long time, so I can handle it. I'm not going to say that I'm used to it, because I'm not. I think it's really difficult for people who are just doing journalism and receiving death threats on a very consistent basis.
I'd be very suspicious of anybody that seems to have to move to the next level of expression. I distrust that: now I'm writing a book, now I'm being an actor. It should be a natural thing. I think it's a natural thing for you to act. But I think that people that feel that, because they've written one maybe quite beautiful love song that equips them to play Romeo, is probably misguided.
I think in Japan I think there is a lot of style and a lot of subcultures, but it will be interesting to see how much of them... how much of the people wearing those clothes are really expressing something about who they are or who they want to be and it will be very interesting to see, especially once you get there, once you get to a certain city like in Stockholm you really get to know the people a little bit and what they're saying through their clothes. It's more... To me I think it's much more interesting than just the clothes they're wearing or the length of the skirt.
The quality of players at the domestic level is very low when they come to the Indian camp. From that level to reach the international level, they will have to do lot of hard work at the Indian camp.
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