A Quote by Andie MacDowell

During Katherine Hepburn's time when she was just coming into her own at 40. — © Andie MacDowell
During Katherine Hepburn's time when she was just coming into her own at 40.
My mother was a full-time mother. She didn't have much of her own career, her own life, her own experiences... everything was for her children. I will never be as good a mother as she was. She was just grace incarnate. She was the most generous, loving - she's better than me.
I'll just be your brother from now on." he said, looking at her with a hopeful expectation that she would be pleased, which made her want to scream that he was smashing her heart into pieces and he had to stop. "That's what you wanted, isn't it?" It took her a long time to answer, and when she did, her own voice sounded like an echo, coming from very far away. "Yes," she said, and she heard the rush of waves in her ears and her eyes stung as if from sand or salt spray. "That's what I wanted.
My mother didn't feel sorry for herself, she was left with no child support, no alimony at a very young age, with a child to raise, a high school education and she just figured it out. She didn't complain, she didn't rely upon government, she relied upon her own skill set, her own self confidence, her own drive in moxie and her own duty to me and her and she relied upon her family and her faith.
Working with Katherine Hepburn, she said to me, "Don't act." She said, "Read the lines. Just be. Just speak the lines." I said, "Okay." She said, "You look good. You got a good pair of shoulders, you got a good head, good face."
I sent my daughter 40 roses last November because I thought she was 40. And she laughed her head off. She is not going to be 40 until this year!
Audrey Hepburn, as famous as she was, packed her own suitcases... I don’t know why that struck me, but it did. 'She has a servant’s heart,' I thought.
Blair liked to think of herself as a hopeless romantic in the style of old movie actresses like Audrey Hepburn and Marilyn Monroe. She was always coming up with plot devices for the movie she was starring in at the moment, the movie that was her life.
I am, and forever will be, devastated by the gift of Audrey Hepburn before my camera. I cannot lift her to greater heights. She is already there. I can only record. I cannot interpret her. There is no going further than who she is. She has achieved in herself her ultimate portrait.
Katherine Johnson is a shining example of what you can truly do with hard work and persistence. Under what had to be the most difficult of circumstances she persevered and stuck to her values. She is a real West Virginia and American hero. To honor her legacy every August 26th, on her birthday, is the least we can do.
When you are portraying a person that is very real, in my case, Katherine Johnson is still alive, she is 98-years old; there is a responsibility to get it right. I guess the biggest thing that I took away from Katherine was her humility. When you talk about superheroes there are selfless, they don't think about themselves, they put humanity first.
When Ivy [Wilkes] begins her work in forgery, she doesn't yet know the toll that it will take on her own original work. She even thinks it might be a way to find inspiration. By the time she realizes that she has lost her own voice, she is thoroughly entangled in the forgery mess.
I would switch roles with Madonna for a day. Or if Audrey Hepburn was still alive, Audrey Hepburn. I love Audrey Hepburn. She's one of my idols also.
I would switch roles with Madonna for a day. Or if Audrey Hepburn was still alive, Audrey Hepburn. I love Audrey Hepburn. She's one of my idols, also.
I never get tired of looking at her [Catherine Keener] and it always surprises me, despite how many hours of film I've shot on that face. She's fantastic. She does comedy and tragedy so equally well. She wears her feeling so on the surface for both. I try to stop myself from casting her but I just keep coming back to her. She's just so fantastic to work with.
Their offense is shakier than Katherine Hepburn after an all-night espresso bender at Starbucks.
Go to the Martin Beck Theatre and watch Katherine Hepburn run the gamut of emotions from A to B.
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