A Quote by Andra Day

At a young age, I wanted to be a prima ballerina and had these grand ideas that I would go study at Juilliard. It's something I laugh about now. — © Andra Day
At a young age, I wanted to be a prima ballerina and had these grand ideas that I would go study at Juilliard. It's something I laugh about now.
Above all, I wanted to be appreciated as a prima ballerina who happened to be a Native American, never as someone who was an American Indian ballerina.
Looking back at it now, I really feel like it was a gift because I don't know if I have the talent to become a prima ballerina. It's such a hard job to have. I don't have any regrets about it.
Looking back at it now, I really feel like it was a gift because I don’t know if I have the talent to become a prima ballerina. It’s such a hard job to have. I don’t have any regrets about it.
I graduated high school, and I always wanted to go to college, but I also really wanted to work at a young age. At 18, I was pitching talk show ideas to different networks. I was a journalist.
The dream was to be a prima ballerina.
I knew I wanted to act from a very young age - from about nine, really - but I didn't know how to go about it. I had no idea. The world was a much bigger place then.
From the age of three to 15, I wanted to be a ballerina and trained really, really hard. Then I had that classic movie story moment, where I had an injury and had to give up my dream.
I guess I could've been a prima ballerina. Or a nurse. Aretha Nightingale!
Now supposing I had the part of a young woman to give out, one that wanted some excellent acting. If I were to go to the stage for my actress I would have to take a matured woman, one who would act splendidly, but who would look too old for the requirements.
I think from the very beginning with 'We Are Young,' there was never any question about where we wanted the song to go and what we wanted it to sound like. And we knew that we wanted it to be big, we wanted it to be booming over the speakers at an arena or something.
When I was growing up, Nashville was the place to go if you had songs to sell and thought you had talent and wanted to tour and be on Grand Ole Opry [radio show]. It was the big deal back in those days to play the Grand Ole Opry. And you could travel around the world saying, "Hi, I'm Willie from the Grand Ole Opry".
I think we have to go through everything we go through in our life, and I believe my purpose in life was to teach self-reliance. So I had the experience of relying on myself very early in life in order to have that knowing, because otherwise I would've just read about it. I think of it now as a great advantage that I had. It certainly taught me to rely upon myself at a very young age. And that's what I've been teaching since I was a little boy.
I will never give up my dream of being a prima ballerina and backup dancer for Justin Timberlake!
At a young age, I really wanted to make music and make my own sort of thing. I'm sure if it wasn't music, it would have been writing, or it would have been maybe painting. I just always had the drive to try and make something with my hands and to just pull something out of myself and shape it and see it in front of me, if that makes any sense.
At a pretty young age, I wanted to do something with my life that would help people. I've been that way for quite a while.
I didn't have the greatest equipment or the greatest facilities. I would see people with new shoes and better cars. I knew what I wanted and what I had to do to get what I wanted. I became a very Spartan person at a young age because of that.
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