A Quote by Andra Day
My style was established in the Forties and Fifties, then got dragged through the decades and picked up a couple more things on the way.
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There are lesbians, God knows... if you came up through lesbian circles in the forties and fifties in New York... who were not feminist and would not call themselves feminists.
The forties are very cool and very pastoral. The fifties look like they're pastoral, and then you get a bit more turbulence.
People in their forties, fifties, and onward enjoy the whole world of books in a different way than the Internet-age kids do.
Certainly I'm participating in an already established and awesome tradition, but it's a tradition that sort of shoots up and through the mainstream in short bursts and pulses and then gets diluted. Walt Whitman and Emily Dickinson shot up and then got sucked back down underground under more entertaining and less radical versions of body and self - poetry and prose that posited bodies in more perfect union with good citizenship.
I got signed to a development deal when I was 15. That fell through after about a year when the company merged with another label. Then I got picked up by Sony publishing. So I was writing professionally from 16 to 18. Then I started making my own records.
I suddenly became aware over the last couple of years that I'm in my sixties. I never thought about it. I thought I'd better start acting my age or find roles that are going to be interesting to me in the sexagenarian repertoire, because it's not what you do in your forties or fifties.
In Windsor in the forties, and even up into the fifties and sixties, if you were black, you had to sit in the balcony of the theatres, and you couldn't buy property in most places.
If I die and I gotta couple Grammys on me, more than a couple hits on me, I got some plaques and I got billboards still up and I done touched a lot of people's souls and I'm viral, once that happen then you can judge all you want.
Willem de Kooning is generally credited for coming out of the painterly gates strong in the forties, revolutionizing art and abstraction and reaching incredible heights by the early fifties, and then tailing off.
Everything has its place and time. We men of the nineteen-forties can smile at the mistakes of the nineteen-thirties, and, in turn, the men of the nineteen-fifties will laugh at the mistakes of the nineteen-forties. It is this historical perspective that shall save us.
This is it. It's for all the marbles. I'm sitting in the house loading up the pump, I'm loading up the Uzis, I've got a couple of M-16s, couple of nines, couple of joints with some silencers on them, couple of grenades, got a missile launcher. I'm ready for war.
Work creates an enormous sense of self and I saw that in my mother. She was an enormous, towering figure to me in the best possible way. I picked up a lot of things from her in the way that I work... I also picked up a lot of the failings of when your father doesn't have those things and that results in a house that turns into a minefield.
The blacklist against people in the entertainment industry that show up for [Donald] Trump is worse than that blacklist you heard of in Hollywood back in the forties and fifties.
I'd love to be a NASCAR driver because they're, like, in their forties and fifties.
That competition grew through high school and you step outside more and it grew through college. Then you had regional style speak volumes through college. As you get older, and begin to travel and see more, that was the progression of style for me.
I came up in the U.K., which is a very catch-as-catch-can style, and then I somehow ended up in Japan and spent eight years there learning strong style. I got to spend some time in Mexico learning the lucha libre style, and the WWE is a hybrid style of everything mixed together.
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