A Quote by Andrae Crouch

Every day, we hear that somebody got saved to our music from all over the world. The music reaches people. It can encourage them. I feel like I have to do it because there's somebody out there who needs to hear the gospel.
When you're really bummed out, the last thing you want to hear is up-tempo and positive. And it lets you know that you're not alone, that somebody has hurt before. It works the same way with chick songs as it does with political songs. When you hear somebody singing about these things, you know that you're not alone, that somebody else is suspicious of what's going on around us in the world. So you don't feel like you're crazy, and you feel like you might be able to make a difference.
I feel like the older I get, the more I start to think about life in general. All the clichés that people tell you, the ones that you hear over and over and over again, there's a reason they're cliché, there's a reason you hear them over and over again, because it's all true. As much as you don't wanna hear it, it's true. You'll find out later on, like "Man, they're all right."
I've got a few reasons why I've got to maintain stability. I've got into wanting people to hear my music. I've got something I want people to hear because I know they'll like it. They've gotta like it! The songs I've been writing are the sort of things you have to like.
If I had to pick one social action I could encourage all my friends, family and fans to do, it would be to teach a child. One, to educate them about good music, but two, because that kind of relationship helps build a bond. When you share music with somebody, that then becomes your link to them. Music is what connects a lot of us, over borders.
When you set out to carry on a tradition as deep rooted as folk music is, you've got to have your story together. You've got to study and have a foundation. Jeffrey Foucault has that foundation, and you can hear it in his voice, and feel it in his music. He's got an understanding that you don't hear that often.
I feel like everything I write about is a gift I need to share because there is somebody out there going through a similar thing that might need to hear it. I know music helped me a lot. And still does.
Somebody got the idea nobody didn't listen to my kind 'a music. I told everybody on the radio that this was my last program. 'If anybody's enjoyed it,' I said, 'I'd like to hear from 'em.' I got 400 cards and letters that afternoon and the next mornin'... They decided they wanted to keep my kind of music.
Because obviously when we write our music, we pour our heart and soul into it. I put everything into my music... I just feel like, I want people to actually hear what I have to say.
Sometimes people hear that you help somebody or you said something that really resonated with them that they really needed to hear. Sometimes people get motivated to go and do stuff. That makes me feel really good because I feel like I'm affecting people in a good way.
This is not what anyone wants to hear, just like somebody who wants to lose weight doesn't want to hear 'diet and exercise,' but I think giving yourself time and abstaining from interaction is the only way to get over somebody.
Through the music and words we, as the band The ex, express our thoughts and opinions and ideas. It is not always totally necessary for our audience to clearly hear and understand every line I sing. The power and impact, the positive energy of the music are as much part of the whole thing as the words. We are not trying to convert people, but we believe in our music and like to play it in front of other people, hoping that we can get them as excited as we are about our music.
If I'm using Nonviolent Communication I never, never, never hear what somebody thinks about me. Never hear what somebody thinks about you, you'll live longer. You'll enjoy life more. Hear the truth. The truth is that when somebody's telling you what's wrong with you, the truth is they have a need that isn't getting met. Hear that they're in pain. Don't hear the analysis.
Mainly, I don't like it when music is made solely to impress people or in order to please business people; it doesn't sound good to me. If you're making music in order to become famous or loved by the masses that's not what I'm about. When somebody's making music for the wrong reasons, I hear it right away.
Mainly, I don't like it when music is made solely to impress people or in order to please business people; it doesn't sound good to me. If you're making music in order to become famous or loved by the masses... that's not what I'm about. When somebody's making music for the wrong reasons, I hear it right away.
I'll go in the studio and hear a track that I don't like, and they're trying to pay me to rap over it. But I'll tell them I just can't do it. And when they ask why, I say, 'Because then somebody's gonna hear it... damn, find another track.'
The script is like music to me. I approach it like it's a musical piece and I hear how it's supposed to sound when people say the words. There's rhythms and there's intonations and things, and so, when somebody comes in and hits the notes that I hear, I go okay. Or, they come close enough, and then I'll say "Well how about you try it like this?" and if they have a good ear and they can pick it up, then I think okay, they've got it.
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