A Quote by Andrae Crouch
I was at a picnic, and there were a lot of songwriters. I remember praying, 'God I wish you would give me a song.' About five minutes later, my ears popped, and I saw everybody in slow motion. Nobody knew what I was experiencing.
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If everybody is looking for it, then nobody is finding it. If we were cultured, we would not be conscious of lacking culture. We would regard it as something natural and would not make so much fuss about it. And if we knew the real value of this word we would be cultured enough not to give it so much importance.
I feel like this song [Yello, "Oh Yeah"] was probably done in a couple of minutes in a studio. There was probably no thought behind it; they were just playing with some samples and threw it together. I feel like there's no dream behind the song. Usually there's a dream or some kind of passion attached to a song. This song feels very empty. It made a lot of money for the songwriters but at the expense of culture.
O my God, how does it happen in this poor world that you are so great and yet nobody finds you, that you call so loudly and yet nobody hears you, that you are so near and yet nobody feels you, that you give yourself to everybody and yet nobody knows your name? Men flee from you and say they cannot find you; they turn their backs and say they cannot see you; they stop their ears and say they cannot hear you.
You remember the Duke of Wellington was talking of the Battle of Waterloo when he said that it was not that the British soldiers were braver than the French soldiers. It was just that they were brave five minutes longer. And in our struggles sometimes that's all it takes-to be brave five minutes longer, to try just a little harder, to not give up on ourselves when everything seems to beg for our defeat.
Early in my career, when I was still learning about politics, when I was wet behind the ears and naive... Up until the time I started radio show, nobody that knew me ever thought I was a hatemonger or a racist or homophobic or sexist or bigoted or any of that. Nobody. There wasn't anybody. Six months after being on the radio with this program, I'd become all of that. And I remember.
I love the song 'El Rey.' And for years, I never knew what the song was totally about. It was something new for me. I'd never sung a song in Spanish before. Then I got the translation and saw what a really cool song it was.
When the movie 'Sliding Doors' came out, it almost sent me into existential crisis because I think about that all the time. Like, 'Wait. If I left my house five minutes later, maybe this would have happened and I'd be on this different track of my life. How would that affect me?'
I was probably five years old or four years and I would listen to "White Christmas," and I just thought it was the most beautiful thing ever. The musicianship and his voice and the melody of that song; it's almost like I wish it wasn't a Christmas song because I wish that you were allowed to listen to it all year.
Were he supreme, were he mighty, were he just, were he good, this God you tell me about, would it be through enigmas and buffooneries he would wish to teach me to serve and know him?
When I was a teenager and all these shows were on I was in that business, so I knew a lot of people in the theaters and I saw many of the great shows many times. I would go in and stand in the back - they would let me in, they knew me. I saw Fiddler on the Roof, A Funny Thing Happened on the Way to the Forum, Gypsy, and Funny Girl many times just standing in the back.
There were people who went to sleep last night, poor and rich and white and black, but they will never wake again. And those dead folks would give anything at all for just five minutes of this weather or ten minutes of plowing. So you watch yourself about complaining. What you're supposed to do when you don't like a thing is change it. If you can't change it, change the way you think about it.
You're telling me that you can raise the dead by simply summoning?" "Yes." "My God," she whispered, staring at me."What have they done?" Hearing her words and seeing her expression, I knew I'd just done something worse than raising the dead-- I'd confirmed her worst fears about us. In her eyes, I saw the same thing I saw when people looked at Derek. I saw fear. And I knew we were in trouble.
And barely ten minutes later the soft sound of wingbeats came to their ears, and Balthamos stood up eagerly. The next moment, the two angels were embracing, and Will, gazing into the flames, saw their mutual affection. More than affection: they loved each other with a passion.
If I do a song with a chorus and a verse, it takes me about 25 minutes. If I do a song with two verses or stretch out the song, it takes me about 30 to 35 minutes.
So, when directors come up to me and ask if they should just narrate my role, I would say no and insist on knowing the whole story. It would give me a better idea of what I'm going to be a part of because when I look back at my career later on in life, nobody is going to remember my screen time.
But I knew - in the old days, if a song was a good song, I don't care if it was 'Yellow Submarine' or, you know, or 'The Times They Are a-Changin' or 'Don't Be Cruel', you knew it, you know? You heard that song, and you were talking about it, and you knew it.
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