A Quote by Andre Aciman

Writing plays fast and loose with the past. — © Andre Aciman
Writing plays fast and loose with the past.
When I got to university, I would read plays and go, 'But these are about the past. Where are the plays that I love about now?' I couldn't find them, so I started writing.
The thing I know how to do most is write a play. I came up loving plays and learning about plays and writing plays. I actually feel like an outsider when I'm writing movies and television.
I'm interested in non-fiction, but a form of it which is very badly behaved, which doesn't define itself as straight-ahead journalism or memoir. It blurs boundaries, plays fast and loose with the truth - not to be silly, whimsical or lazy, but to get greater purchase on what it feels like to be alive.
I don't write political plays in the sense that I'm writing essays that are kind of disguised as plays. I would really defy anyone to watch any of my plays and say 'Well, here's the point.'
I don't know if I ever would have developed into a good actor, but that got completely scotched when I lost my vocal cord at 14 in the operation. But writing always - writing plays, writing, writing, writing, that was what I wanted to do.
It's a mistake to get too narrow too fast. Kids today, many of them will live past 100, and you cant predict what you might work on. The things you're passionate about and interested in, get experience with them by going deep on projects. I would encourage science projects, plays. Pursue science, math, writing, history - the 21st century demands a lot of cross-disciplinary thinking.
I started writing plays in around 1967, and at a certain point, I thought, 'I'm writing plays, I should learn about acting and what it is.' So I went to the HB Studio in New York, and I was there for about nine months.
I always loved theater and acting in plays and directing, writing little plays and directing friends in plays.
I was 22 and stopped writing plays, and I didn't start again until I was 25. I was writing badly. In college, I attempted to write these more conventional plays, but the theater I loved was downtown experimental theater. I didn't feel like I could do that either. It didn't occur to me to do my own thing.
Let the human mind loose. It must be loose. It will be loose. Superstition and dogmatism cannot confine it.
See, what you're meant to do when you have a mid-life crisis is buy a fast car, aren't you? Well, I've always had fast cars. It's not that. It's the fear that you're past your best. It's the fear that the stuff you've done in the past is your best work.
I want to be known as a solid all-around receiver that's fast, not a fast guy that plays receiver.
I want to be known as a solid all-around receiver thats fast, not a fast guy that plays receiver.
I started writing plays, but the fact that plays don't last forever was too much for me to bear.
I fell into writing plays by accident. But the reason I write plays is that it's the only thing I'm any good at.
I was very in my own head as a kid. But I liked it there! I was just writing poetry, writing stories, writing plays. I think I was quite strange. But I was happy.
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