A Quote by Andre Benjamin
When I'm shooting a film, I don't look at playback. I don't go and do a scene and then hurry up and watch what I just did. I never look at it so I haven't seen any of it.
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Not only do I look at the playback with the actors, but I look at the on-set assembly footage with the sequences with my actors as well. These are the reasons why I take twice as much time to shoot a film in Korea. Thinking back, I remember on my first ever Korean film, I never used any playback or on-set assembly, so all I had to do was to tell myself it's just like making my first ever Korean-language film. After that, I felt right at home.
I don't look at rushes, or I don't go to the dailies. I don't even really look at playback... unless it's an action scene or a move that I need to do better, something like that.
I don't look at rushes, or I don't go to the dailies. I don't even really look at playback unless it's an action scene or a move that I need to do better, something like that.
I think the biggest advice I would give to any actor who's directing and also acting at the same time is don't even watch your coverage. You do a scene, and then, you know what you did; it doesn't matter what you look like.
I know when I watch a film at this point, if I completely lose myself in the characters and the story and the world of the film I know that it's at least in my opinion, that was great. Otherwise I'm thinking: "Oh I know they were just doing A, B and C, right before they walked into the scene, then the camera was there, then they probably took the shot from this reverse close-up and moved it into this." When all of that drops away then I'm like: "Okay this was phenomenal, this was fantastic." I mean, any film or TV performance in general is probably good.
This is a good look. I'm gonna mess him up," Pattinson praises Stewart. "And I'm just like, I don't know what's going on? Where am I? I just walked out of a flower bed in this scene as well.... I was standing in the flower bed and then walked out of it and then stopped and looked confused.... If I didn't have contact lenses on, that was a really spectacular look I just did.... I should have had million thoughts, like Hamlet.
People look at film in a gallery, and if they walk out after two minutes they know they haven't seen the whole work. But then people look at a painting for two minutes and think they've seen it. Certain paintings are made to be consumed fast. But some require a slowed-down time. You have to go back to them.
There are a lot of actors who will watch the monitors. They'll do a scene, and then the director will look back to see if he got whatever he wanted. I just find it odd to sit there and watch yourself.
You can do a short film in three to four days, and then you can show it. Look at the careers you seen go either through Tropfest or outside of Tropfest. You can make a short film in a couple of days, and if it's great, it can go in the Internet or go to a film festival like this one or another.
I shoot very little film. If you just do coverage you're shooting any number of potential films instead of just one, and I was shooting just one specific film. Film is cheap but time is expensive.
As a film director and as film actors, you get used to a certain rhythm that's slow. But with TV, it's hurry, hurry, hurry, hurry, hurry. It's a different pace.
If you look back at a film like 'Dawn of the Dead' - You can either watch it as a straight-up genre film and have fun with zombies being shot, or you can look at it as a metaphor for consumerism. Or a metaphor for the Vietnam war.
The film that I go on about and drive people mad is 'Don't Look Now' with Julie Christie and Donald Sutherland. It's the best married couple acting you have ever seen in any film, the way they are together.
You know, in an ideal world, people would just be intrigued and go and see a film without knowing anything about it, because that's where you're going to have the most experience of a film, the biggest, the most revelation of a film. But at the same time, I think there are benefits of having seen a trailer where you actually look forward to seeing moments in a film knowing that they're coming up. I don't know which is better.
I don't have any great detail or logic or exact point that I look for in a film. It's just if I get a good sense from it and I feel that there is something interesting that we may be able to do with it, then I just kind of go for it.
On stage you never watch yourself. You just experience it, and then you go home, and you feel pretty good if you gave a pretty good performance or crappy if you didn't. But in TV and film, you actually have to experience it while you're doing it, and then you have to watch it. And then when you're watching it, you watch it with a different sensibility than how you experienced it.
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