A Quote by Andre Braugher

If the story's interesting and it's a compelling script, I'd be thrilled to be a part of it. — © Andre Braugher
If the story's interesting and it's a compelling script, I'd be thrilled to be a part of it.
Definitely the script because you want to be part of an interesting story, you want your character to be a challenge, then comes the director. But essentially it's the script first and whether it's a character that you think you can do.
I am thrilled to be a part of Tamil cinema as it is an interesting place.
I felt really comfortable [on The Maze Runner]. From day one, I loved the script and the story, and I thought it could be something really cool and interesting and original, in this generation of regurgitated projects and sequels and stuff, so I'm proud to be part of it.
I like a sensitive script, interesting and respectful directors and co-actors, producers who understand the creative needs of a project. A happy unit in which everyone collaborates to try and make something compelling.
There's just no more compelling a story, no more compelling an issue, no more compelling a locus of human suffering than Sudan.
Comedy, drama, Westerns, sci-fi... it's all fine if the story's compelling and the character is interesting to me. I do like action a lot.
A compelling story, even if factually inaccurate, can be more emotionally compelling than a dry recitation of the truth.
I feel great about [War Cries regular series]. It's my third year with the show and every season the part's sort of increased and gotten more and more interesting so I'm really thrilled to just be more a part of things.
In 'Burrraah,' I play a teacher whose aim is to reform a bunch of rowdy boys. My character is very interesting and I chose this film for a Punjabi debut because of its story, script, screenplay and director, Sagar Sharma. I love the way he narrates a story.
I look for the character to be something interesting, the script to have a good story and be original, and a director that I admire.
I always think it's interesting to switch genres, because if I read a script and I know exactly how to manifest a story, I don't really want to do it anymore, because I've already done it in my head. It becomes less interesting. If I read something that's challenging, I get really passionate and usually fall in love with it, because I feel I need to do it. I need to tell the story; I need to find a way to make it happen.
The romance is the primary plot in a story that has two plots. The second plot is not a subplot, but one that is interwoven with the romance plot (if that makes sense.) A story needs compelling characters in a compelling plot.
I think if you make good, interesting content with compelling story lines and good characters, people will tune into the web for as long as you want them to.
The script [of Regression] wasn't the draw for me. It was largely Alejandro [Amenabar] and his way of talking. To hear him talking about the script was way more interesting than the script. He wrote it, and so, English is his second language. It's an interesting thing. I've had that before. I was directed by Alfonso Cuarón before, too. It's always interesting when you're being directed by somebody like that. So much of directing is about communication, and finding the right words, and what it means, and how to convey certain emotions and ideas.
I'm getting more selective, the more I do. As an actor, you want to do a variety of things, but first and foremost, it's the script, the quality of the script and the part. If the script is great and it's a part that I believe and I believe the world, that's rarer than you think.
When I first heard the 'Urumi' script, I was surprised, shocked, and excited. It was a strong script with a reference to the past. It had fact mixed with fiction. To incorporate facts into a film and introduce fictional characters was interesting. I loved the script.
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