A Quote by Andre Braugher
I've never read it because I'd like to see one Shakespeare play that I don't know what happens. I close my ears and hum whenever I hear anything about 'Pericles, Prince of Tyre.'
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It would be a wonderful experience to stand there in those enchanted surroundings and hear Shakespeare and Milton and Bunyan read from their noble works. And it might be that they would like to hear me read some of my things. No, it could never be; they would not care for me. They would not know me, they would not understand me, and they would say they had an engagement. But if I could only be there, and walk about and look, and listen, I should be satisfied and not make a noise. My life is fading to its close, and someday I shall know.
A lot of people have a fear of Shakespeare. Even actors do. People are like, "Oh, I won't go and see Shakespeare because the language is so hard," but it is. When you read it on the page, you go, "What?! What does that mean?!" If you go to a Shakespeare play and you've never been, you sit there and go, "I'm an idiot! I don't get it!"
My favorite play is Hamlet. It was my first love when it comes to Shakespeare, and I've read it and seen it performed more than just about every other Shakespeare play. I've had the "To be or not to be" monologue memorized since I was 15, and it's just really close to my heart.
People are going to say, ‘Well, it’s not very truthful.’ But a songwriter doesn’t care about what’s truthful. What he cares about is what should’ve happened, what could’ve happened. That’s its own kind of truth. It’s like people who read Shakespeare plays, but they never see a Shakespeare play. I think they just use his name.
I feel I understand now why, whenever there are revolutions, Shakespeare is what people turn to. Because whenever a society is on the cusp, about to become something else, they find themselves in Shakespeare.
I can never read this book, just like I can never see a movie that I wrote a screenplay for. I can read it and see it physically, but I can't accurately judge it. I'm too close to it. If I read it ten times I'll have ten different reactions.
Whenever I play Shakespeare, I keep thinking, 'how did this Englishman know so much about me?'
Some people will say, "Why read a comic book? It stifles the imagination. If you read a novel you imagine what people are like. If you read a comic, it's showing you." The only answer I can give is, "You can read a Shakespeare play, but does that mean you wouldn't want to see it on the stage?
I like to hear a man talk about himself because then I never hear anything, but good.
Whenever I hear the epistles of Paul read out loud in the liturgy, I am filled with joy... If I'm regarded as a learned man, it's not because I'm brainy. It's simply because I have such a love for Paul that I have never left off reading him. He has taught me all I know.
The thing that amazes me about getting fired is that nobody ever has anything insightful to say about it. They always say the same thing. They always say, 'Everything happens for a reason.' As lame as that sounds, I guess it’s better to hear it out loud. Because when you hear it in your own head, it sounds like, 'Anything can happen with a razor.
You never hear about a pit bull doing anything good in the media. And they have a stigma to them... and, in many ways, pit bulls are like young African-American males. Whenever you see us in the news, it's for getting shot and killed or shooting and killing somebody - for being a stereotype.
Whenever it happens it is never late; whenever it happens it is always early. The happening is so great that you cannot claim it for yourself. You cannot say: `I have earned it.` The happening is so great that it is always through grace and not through effort. It happens through effortlessness. Whenever it happens, you know well that it is through compassion, grace, that it has happened. It has nothing to do with you or your earning
To read a poem is to hear it with our eyes; to hear it is to see it with our ears.
But anything that you hear about Japan is nothing like what you see when you actually go over there and see it, you know, in a real situation.
Shakespeare's always been sitting on my back, since I began reading. And, certainly, as a writer, he's who I hear all the time. And he's almost indistinguishable now from the English language. I have no sense of what Shakespeare is like. I have no sense of the personality that is Shakespeare. I think, alone among writers, I don't know who he is.
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