A Quote by Andre Braugher
The only dangerous scene is when James Cromwell put a stake in my chest. But other than that, it turned out to be quite a punch. I didn't think much of it.
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I don't think that any scene [in Pineapple Express] is word for word how you'd find it in the script. Some of it was much more loose than others. The last scene with me, Danny [McBride] and James [Franko] in the diner - there was never even a script for that scene. Usually we write something, but for that scene we literally wrote nothing.
I like the rhythm of comedy in dramas, if that makes sense. In other words, I don't want to write setup, punch, setup, punch, where the joke dictates the scene; I want to find comedy in which the drama is actually driving the moment in the scene.
We differ in our speed. My brother always had more power than I did in the amateurs. He would punch for power and I would punch for speed. But as we turned pro and we developed with each other, we became more alike. I use a little more power now than I used to.
have a much harder time writing stories than novels. I need the expansiveness of a novel and the propulsive energy it provides. When I think about scene - and when I teach scene writing - I'm thinking about questions. What questions are raised by a scene? What questions are answered? What questions persist from scene to scene to scene?
It is a total treat to get to work with James Cromwell.
It's easier to do an action scene than a love scene. I love fighting. When the camera's not rolling, I'll usually punch some of the actors, just for fun.
The saying that a little knowledge is a dangerous thing is, to my mind, a very dangerous adage. If knowledge is real and genuine, I do not believe that it is other than a very valuable posession, however infinitesimal its quantity may be. Indeed, if a little knowledge is dangerous, where is a man who has so much as to be out of danger?
It's very dangerous to pretend to be open-minded when you're the exact opposite. I think feminists are only making it worse by blocking out all other viewpoints but their own, only reading their own propaganda and only associating with each other.
People ask, "Do you enjoy acting?" But you only have those specific few hours to do a scene, and then you drive home and wait for six months to find out how it went. You can't go back and put in a new idea. Filming is about continuing to be alert and to think, and I find it quite exhausting. Certainly I would say that fear is a part of that.
I have only read very classic traditional English ghost stories, other than Henry James, who wrote some magnificent short ones as well as the longer 'Turn of the Screw.' He, Dickens, and M.R. James are my influences.
I don't actually think boxing is a particularly dangerous sport, I wouldn't even put it in the top ten of dangerous sports, but that's only if you take it seriously. Whenever I stepped into the ring I was well hydrated, I was at the right weight and I was prepared. It wasn't a dangerous sport for me.
I think - in general, I don't think I've been involved in a single movie that turned out the way I anticipated it to turn out. Just because, as an actor, there's only so much that I can bring to a project.
I heard that the same thing occurred in a scene in Alien, where the creature pops out of the chest of a crewman. The other actors didn't know what was to happen; the director wanted to get true surprise.
I've spent so much of my adult life in relationships that it's actually quite pleasant to be alone at last. I turned thirty-six the other day, which staggers me when I think about it.
I thank Henry James for the scene in the hotel room, that I stole from Portrait Of A Lady… This particular scene is the most beautiful scene ever written.
It's so not sexy and intimate. There are 40 people in the room. There's a guy with his belly hanging out, with a boom in your face. It's really very technical. I think doing a love scene is tougher than doing a fight scene. It's so staged and you can't put light on her face and you have to hit the mark.
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