A Quote by Andre Breton

The imaginary is what tends to become real. — © Andre Breton
The imaginary is what tends to become real.
When real nobleness accompanies that imaginary one of birth, the imaginary seems to mix with real, and becomes real too.
Ramona stepped back into her closet, slid the door shut, pressed an imaginary button, and when her imaginary elevator had made its imaginary descent, stepped out onto the real first floor and raced a real problem. Her mother and father were leaving for Parents' Night.
One might think this means that imaginary numbers are just a mathematical game having nothing to do with the real world. From the viewpoint of positivist philosophy, however, one cannot determine what is real. All one can do is find which mathematical models describe the universe we live in. It turns out that a mathematical model involving imaginary time predicts not only effects we have already observed but also effects we have not been able to measure yet nevertheless believe in for other reasons. So what is real and what is imaginary? Is the distinction just in our minds?
I would hate to be in high school now. Psychologists talk about the 'imaginary audience' that teens seem to feel they have around them and that makes them think they have to keep up their image all the time. Now with Facebook and MySpace and 24/7 online access, that imaginary audience has become real.
The poet Marianne Moore famously wrote of 'real toads in imaginary gardens,' and the labyrinth offers us the possibility of being real creatures in symbolic space...In such spaces as the labyrinth we cross over [between real and imaginary spaces]; we are really travelling, even if the destination is only symbolic.
The distinction between what is real and what is imaginary is not one that can be finely maintained ... all existing thing are ... imaginary.
Imaginary evils soon become real one by indulging our reflections on them.
There are two kinds of Arctic problems, the imaginary and the real. Of the two, the imaginary are the most real.
The artist is one who makes a concentrated statement about the world in which he lives and that statement tends to become impersonal-it tends to become universal and enduring because it comes out of something very particular.
Imaginary obstacles are insurmountable. Real ones aren't. But you can't tell the difference when you have no real information. Fear can create even more imaginary obstacles than ignorance can. That's why the smallest step away from speculation and into reality can be an amazing relief...The Reality Solution means: Do it before you're ready.
My imaginary friends have become my imaginary children.
Art is not ideology. It is completely impossible to explain art on the basis of the homological relation that it is supposed to maintain with the real of history. The aesthetic process decentres the specular relation with which ideology perpetuates its closed infinity. The aesthetic effect is certainly imaginary; but this imaginary is not the reflection of the real, since it is the real of this reflection.
Imaginary evil is romantic and varied; real evil is gloomy, monotonous, barren, boring. Imaginary good is boring; real good is always new, marvelous, intoxicating.
Gratitude: An imaginary emotion that rewards an imaginary behavior, altruism. Both imaginaries are false faces for selfishness, which is a real and honest emotion.
Actors speak of things imaginary as if they were real, while you preachers too often speak of things real as if they were imaginary.
We read books to find out who we are. What other people, real or imaginary, do and think and feel... is an essential guide to our understanding of what we ourselves are and may become.
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