A Quote by Andre Breton
The pure playfulness of certain wholly whimsical portions of (Charles) Cros’s work should not obscure the fact that at the center of some of his most beautiful poems a revolver is leveled straight at us.
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... Natural affections and instincts, my dear sir, are the most beautiful of the Almighty's works, but like other beautiful works of His, they must be reared and fostered, or it is as natural that they should be wholly obscured, and that new feelings should usurp their place, as it is that the sweetest productions of the earth, left untended, should be choked with weeds and briers.
Remember us in your prayers that we grow not weary in well doing. It is hard to work for years with pure motives, and all the time be looked upon by most of those to whom our lives are devoted as having some sinister object in view. Disinterested labor - benevolence - is so out of their line of thought, that many look upon us as having some ulterior object in view; but He who died for us, and Whom we ought to copy, did more for us than we can do for any one else. He endured the contradiction of sinners. We should have grace to follow in His steps.
Nick Flynn is another writer I admire - his fragmented sections, his playfulness with genre, his urgency. The palette in his work is his style, a voice that is singular, and that's what I think writers should strive for, to have a style and a voice that is only theirs.
But I hate things all fiction... there should always be some foundation of fact for the most airy fabric - and pure invention is but the talent of a liar.
I'm working on poems about work, I guess. Or related to work. Which sounds dull as drywall but I'm having great fun working the vernacular of work into poems. I'm also writing some poems about family. And I don't know, just writing. Taking breaks. Writing some more.
One of the things I've always loved about genre, comic books, science fiction and fantasy is that there's a certain level of playfulness to them, and pure imagination and creativity.
Give it up for Ray Charles and his beautiful legacy. And thank you, Ray Charles, for living.
I did not share the enthusiasm of certain politicians for the National Front leader, it was because I had noticed, in the past, some strange contradictions between Mossadeq's declared ends and his actions. Officially he defended nationalist anti-colonialism and was the most intransigent patriot who declared that no concessions or advantages should be granted to foreign powers. He described his doctrine as a "negative balance" and in fact his greatest failing was that he was negative.
It should console us for the fact that sin has not totally disappeared from the world, that the saints are not wholly deprived of employment.
The most despairing songs are the most beautiful, and I know some immortal ones that are pure tears.
Good poems ask us to have complex minds and hearts. Even simple-of-surface poems want that. Perhaps those are the ones that want it most of all, since that's where they do their work: in the unspoken complexities, understood off the page.
So I told Robert from the start that if we couldn't get Charles and Max to take part, but especially Charles, that I didn't want to make the film. So would he call his mother and talk to Charles and see if Charles would at all be interested.
[Charles] Darwin, for example, is the one who made us face the fact that the primary way we tell the Christ story doesn't work anymore.
You should just go, go to work, work hard, be a perfectionist, be a workhorse. If you work 10 years straight, you'll be comfortable and set for life. That is a fact.
How marvelous it all is! Built not by saints and angels, but the work of men's hands; cemented with men's honest blood and with a world of tears, welded by the best brains of centuries past; not without the taint and reproach incidental to all human work, but constructed on the whole with pure and splendid purpose. Human, and yet not wholly human -- for the most heedless and the most cynical must see the finger of the Divine.
I'm surprised when the work appears beautiful, and very pleased. And I think work can be very good and very successful without being able to call it beautiful, although I'm not clear about that. The work is good when it has a certain completeness; and when it's got a certain completeness, then it's beautiful.
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