A Quote by Andre Breton
Under his (Marc Chagall, ed.) sole impulse metaphor made its triumphal entry into modern painting.
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The click [of a light switch] is the modern triumphal clarion proceeding us through life, announcing our entry into every lightless room.
I have seen Colonial churches since I was very small, Colonial painting and polychrome sculpture. And that was all I saw. There was not a single modern painting in any museum, not a Picasso, not a Braque, not a Chagall. The museums had Colombian painters from the eighteenth century and, of course, I saw Pre-Columbian art. That was my exposure.
The last image created in verse four of this hymn, ["Come, O Thou Glorious King"] that of the promised Messiah coming into his temple, seems appropriate for the day when Jesus was in the Jerusalem temple, teaching and establishing his authority. As with the Triumphal Entry, his actions then seem but a foretaste of even greater fulfillment when he comes again in glory. Just as the early Latter-day Saints were reassured by the promised return of the Savior, so we too can look forward with faith to his return as King.
Modern historians have suggested that in his last years he (Richard II) was overtaken by mental disease, but that is only a modern view of the malfunction common to 14th century rulers: inability to inhibit impulse.
As strange as it may sound, our experience of a Chagall painting actually depends to some extent on whether our language has a word for blue.
The one impulse in man which cannot be erased is his impulse toward freedom, his impulse toward sanity, toward higher levels of attainment in all of his endeavors.
Like most sensible people, you probably lost interest in modern art about the time that Julian Schnabel was painting broken pieces of the crockery that his wife had thrown at him for painting broken pieces of crockery instead of painting the bathroom and hall.
A seventeenth-century painting can be "modern" because the living eye finds it fresh and new. A "modern" painting can be outdated because it was a product of the moment and not of time.
I don't think it's wise to manufacture a painting, just for the sake of working... if the impulse isn't truly there, the painting will lack power.
In figure painting, the type of all painting, I have endeavoured to set forth that the principal if not sole source of life enchantments are Tactile Values, Movement and Space Composition.
I couldn’t get near what I wanted through seeing, recognizing and recreating, so I stood the problem on its head. I started studying squares, rectangles, triangles and the sensations they give rise to It is untrue that my work depends on any literary impulse or has any illustrative intention. The marks on the canvas are sole and essential agents in a series of relationships which form the structure of the painting.
I was in special ed, but I felt like I was a caged bird. I felt like I could do better. I made sure I mastered my special ed lessons. I made sure I listened to my teacher. I made sure I did my homework, but I had to do a little extra.
A society person who is enthusiastic about modern painting or Truman Capote is already half a traitor to his class. It is middle-class people who, quite mistakenly, imagine that a lively pursuit of the latest in reading and painting will advance their status in the world.
Love is the sole impulse for creation; and the man who does not have it as the greatest incentive in his life has never developed the real creative instinct. No one can swing out into the Universal without love, for the whole universe is based upon it.
I like to write about painting because I think visually. I see my writing as blocks of color before it forms itself. I think I also care about painting because I'm not musical. Painting to me is not a metaphor for writing, but something people do that can never be reduced to words.
Painting should educate and enrich. Modern painting merely offers a split-second emotion: You see it, you have an instant reaction and move on. Instead, real painting can be looked at over and over again and each time it has something new.
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