A Quote by Andre Drummond

Detroit has a history of a lot of great rebounders and big guys that have been great defenders. So for me to pick up where they left off and continue that trend, of being a gritty, tough big man is pretty cool.
Growing up, I idolized Big Boss Man and Bam Bam Bigelow just because they were big guys who could move and were tough. I felt like they both rode motorcycles. And Bam Bam had his head tattooed. Those are the guys who really got me into wrestling.
You start out with big dreams and I mean, big dreams artistically. You want to work with the greatest living directors, make a great movie. I wanted to make a great love story, I wanted to make a great epic and then you realize that the truth of it is that it's so hard to make a great film. It's hard to get a great role. Those big expectations change to realism pretty quickly. But what's never changed is my desire to work with great directors and to find projects that push me out of my comfort zone and keep me alive. I still don't think I've done my best work
The game has been great to me. The Steelers have been great to me, and I think things will work out and take its toll. But I'm just singularly focused on being a great player, being here around the guys and my teammates, and representing my family.
Look at great teams like Detroit a couple of years ago; they win the Stanley Cup and guys only score 25 goals, nobody has a really big season.
I'm a big fan of all the Boston guys that are acting - Matt Damon, Ben Affleck, Mark Wahlberg - they made a great career out of it, and they found a way to do it and still be cool guys, so that's kind of where I want to be.
I'm a big fan of all the Boston guys that are acting - Matt Damon , Ben Affleck, Mark Wahlberg - they made a great career out of it, and they found a way to do it and still be cool guys, so that's kind of where I want to be.
To me, being in the big time is not that big of a deal. I've been there; I know what it is. It's exciting, but it's also a lot of work and pressure. I love sort of flying under the radar where we can play theaters and sell CD's on the Internet, and it's really kind of a cool time.
Heavyweight championship. People want to see the big guys bang. Other champions are great, too. But ain't nothing like seeing the big guys throw down.
Economic history is a never-ending series of episodes based on falsehoods and lies, not truths. It represents the path to big money. The object is to recognize the trend whose premise is false, ride that trend and step off before it is discredited.
No matter how brilliant or accomplished they are, there is something emasculating for men in being pitted against a woman. It is even more true in creative fields already considered to be "squishy" and feminine, and it's a big problem because great women have been left off the record.
I mean, nobody's ever thrown a big rock at me or my friends, but we're all pretty tough guys and could probably handle it.
The first three championships that I won, I won them. I had big numbers and I won them. And last year, the guys won it for me. They won it for the big guy. Numbers are overrated. There's a lot of guys in this league who can say they've got great numbers. But they can't say they've got four rings in the last six years.
If there's a big problem and you've got the right people with you, usually the answer emerges and you do what's the obvious thing to do. I don't think of myself as some great manager or great leader. I've been very lucky to be in the positions that I've been in. I meet a lot of people and I've grown a lot of companies, and I meet a lot of CEOs at big enterprises. I'm always so surprised at how much they seem to know. It doesn't always seem to be correlated to how well they actually do.
The great untruth around which everything pivots is the idea that the defenders of these statues are the defenders of history and truth; while those who want to see them toppled or contextualised are the Huns at the gate, who would destroy national histories and bring down great men.
'Big Time Rush' was a great show, and I had some great experiences. It allowed me to become more of a comedic actress, which is also a great skill to have. But there wasn't a whole lot of tragedy in there. Not quite as dark as 'Red Band Society.' So I've been very lucky to have been able to grow in that sense, just through moving to FOX.
I'm a big sports fan even outside of baseball. I love watching guys that are supposed to be great, and are great, live up to the expectations. So I really appreciate consistency.
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