A Quote by Andre Drummond

As a kid and even to this day, I want to be an actor when I'm done playing. I work on music, too. — © Andre Drummond
As a kid and even to this day, I want to be an actor when I'm done playing. I work on music, too.
When I turned 12 or 13 years old, even as a dad, you can't make a kid play anymore, but up until that point, he pushed me to keep playing, and when I turned 13, I didn't want to do anything else. He was just there with me at the cage every day because I wanted him to go with me and throw to me and work on what I needed to work on.
My father was always pushing me to become a basketball player. In Africa, when you're a kid, every kid loves to play soccer, and I loved playing soccer. But my dad didn't want me playing soccer. He would joke, 'C'mon, man, you're too tall!' Then he promised me, 'If you start playing basketball, I'm going to give you my jersey.'
I want to try and do as much as I can as an actor. So far I think I've done pretty well with being a minister's son. And now I know I'm pretty darn good at playing a woman too.
There's one thing better than having a great actor, and that's having a great actor who's never done this kind of role before and is hungry to do it. They're testing themselves every day. They want to get out of their trailer and get to work.
I was a kid living in New Jersey, who - I'd wanted to make movies since I was a little kid, so that came before music for me. But I started playing drums just as a hobby, and I wasn't even really into jazz that much.
Every kid wants to be an actor. When I was a kid, I thought, 'Oh, it'd be great to be like Errol Flynn. I want to be an actor.'
My mom said, "What I want is a happy kid, not a rich kid. That's what I root for." She saw how much joy I got from playing music, and those years were leaner than lean!
I pray to God every day that he makes me the biggest superstar, but before that, I ask God to make me a good actor. Being a star is hard, but being an actor is even harder. I want to be both before I am done.
The truth is, an actor's performance is the result of work by a lot more people than just the actor. When you see that character portrayed up on screen, there is the work certainly of the actor, but there's the work of the editor, there's the work of what the camera was doing. What the music was doing, all of the above.
I never thought I was playing black music. I was just playing music, the stuff I liked. I sang blues at parties and things when I was a kid.
A lot of my work is about these moments you find, like when you're driving alone at night by yourself, or you sit at home and smoke a cigarette and all of a sudden there is beautiful music playing - for me it is sad piano music - and think, "I'm so in love and I don't even know with what." You want to freeze this moment.
There was not too much to do as a kid when we arrived in Germany. Playing basketball and listening to music gave me something to do.
An actor is like a piece of clay: you just keep moulding me. Even people who work with you every day want to put you in a little box.
You can read books on stuff all day long, but until you get out there and just do it, if you want to start playing, and you want to make some music, then go out and play. Go find yourself a venue and play, even if it's in your home. Just play every day. You win the fight by fighting.
Even now, when people come up to me and say, 'My kid's an actor. They want to move to L.A. What should they do?' Even if you wanted to help them as much as possible, there's really nothing you can do.
As an actor, I want to give in to the collaboration with the director because I don't want my work to be all the same. The more this can be done with comfort, the more variety my work has had.
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