You've got to take every single play at a time, every practice at a time. You can't look forward, because you start putting too much pressure on yourself, you start to feel it.
Every time I start thinking the world is all bad, then I start seeing people out there having a good time on motorcycles. It makes me take another look.
Every time I start a new novel, it seems like an impossible undertaking. If I tried to do too much too quickly, I would get lost and feel overwhelmed. I have to go slow, and give things a chance to take form and grow.
When you are not separate from the creative process, time ceases to exist. You might start to feel tired and suddenly realize that much time has passed. It isn't necessarily a happy time - and may be very difficult to start if it is a job or an obligation. But if' you start with all the concrete needs and proceed in a thorough way - the creative process will take over and you will forget whether it is work or play. Working in the here and now is one of the most uncontaminated ways to work.
Every time I'm practicing, playing or prepping, Majors are always going to be the ones everybody wants to win. But putting the urgency or too much pressure on yourself is not going to do any favors.
I really look forward to every single bit of it. Every time I do something in space, it will be the first time.
The scientists do not get enough help, enough encouragement, to change their field from time to time because the pressure is too high or is to perform something. And once you start in a new field, you are a nobody to start with, you see.
Every single time I start to do a picture, without fail, I feel as if I don't know what I'm doing.
NBA is totally different in style. In NBA, we play much more aggressive, much harder. It's not time for thinking. In Europe, we play every week, one game. Here we play every second day so if you lose, you don't have time to think about losing. Just go forward.
I don't agonize over decisions as much these days. The criteria of what's important to me is clear. The insecurity that you feel, and the paranoia that you feel, have been around for a long time - you know it's a liar because it's been lying to you all along - every time you start something new.
Every band I've been in, it's just become my total life. I feel like a child star - I've missed out on so much. I never got to play Grand Theft Auto and get stoned every day. I figure at 45 I should probably start doing that.
I like to take my time and not try to put too much pressure on myself, but it's hard. I think I forget every time - you give birth and you want your stomach to be flat again.
If I start putting too much pressure on myself, that's something my mama is there to help with.
Practice does take a lot out of me mentally because I have to be on it for every stroke, every turn, every breakout. Anything I do, I want to be as focused as I can, so by the time practice is done, I'm kind of physically and mentally fried.
Not everybody should be laughing at everything at the same time. That's not even natural. My thing is to feel natural, because I don't want to feel like I could just make people laugh at every single joke, every single time, with the same decibel level.
Each time I take a role, I'm always nervous about it at the beginning and I'm always afraid what if that, what if this. Every time I take a role and I'm somewhat terrified at the beginning and I get into it and I start working, that's a big win for me. So, really it is stepping forward in the face of whatever fears that I've created for myself and going forward anyway and those are always big moments for me.
It's hard to train that in practice time. You can make calls, you can make adjustments, but just that pressure, 'This is what it is, this is reality, I need to concentrate on every play,' that's what we've got to get through.