A Quote by Andre Drummond

Obviously, people give me their opinions of Dwane Casey and everything has been nothing but positive words about him - just the way he coaches, the way he is as a human being. From what I've heard, he's a stand-up guy.
He is so true to himself, and so good to other people. Even during tough conversations, I have never worried about him. Because I know Dwane Casey is going to come back tomorrow to try to be better, and I feel the same way. I try to be better, and so I try to be like him that way.
There was nothing particularly intimate about the way they sat, but something about the scene made Gansey feel strange, like he’d heard an unpleasant statement and later forgotten everything about the words but the way they had made him feel.
Reggae is a message of consolation; a message of salvation. The youth are going to the school and they have to listen to the words. The parents have to listen to the words. God has to listen to the words. So, we have to make it positive. If you sing nursery rhymes, it is nothing. You just blow up tomorrow, and the record dies at the same time. But if you give positive words, that song lives forever.
Our evangelical culture tends to take the awesome reality of a transcendent god who is worthy to be feared and downsize Him so He could fit into our "buddy system." The way we talk about Him, the way we pray, and, more strikingly, the way we live shows that we have somehow lost our sense of being appropriately awestruck in the presence of a holy and all-powerful God. It's been a long time since we've heard a good sermon on the "fear of God." If God were to show up visibly, many of us think we'd run up to Him and high-five Him for the good things He has done.
Obviously I've been reading Kafka for a long long time, since I was really young, and even before I ever read him I knew who he was. I had this weird sense that he was some kind of family. Like Uncle Kafka. Now I really think of him that way, the way we think about an uncle who opened up some path for being in a family that otherwise wouldn't have existed. I think of him that way as a writer and a familial figure.
To be right, a person must do one of two things: either he must learn to have God in his work and hold fast to him there, or he must give up his work altogether. Since, however, we cannot live without activities that are both human and various, we must learn to keep God I everything we do, and whatever the job or place, keep on with him, letting nothing stand in our way.
Every human being can relate to wanting their thoughts and their feelings to be accepted and rewarded and validated. So in that way, a stand-up is similar to almost any profession. It's very simply just someone who wants to be heard and live authentically and express themselves.
'Saw VI' has a really interesting theme about the ripple effect. Everything you do affects the guy next to you, which affects the guy next to him, which affects her over here. And you might think that what you're doing is not that significant, but just the way you respond to other people makes the world the way it is.
History is not just about dates and quotations. And it's not just about politics, the military and social issues, though much of it of course is about that. It's about everything. It's about life history. It's human. And we have to see it that way. We have to teach it that way. We have to read it that way. It's about art, music, literature, money, science, love - the human experience.
I'm way bigger than people think I am. I'm way bigger. I've been underrated all my life, and that's fine. I have privacy. I can walk the street without being hassled. I can be a regular guy. The price to give that up is so horrible. When you become a part of the hysteria - it's not completely in my hands - you have to hide.
So what is the difference between "power thinking" and "positive" thinking? The distinction is slight but profound. To me, people use positive thinking to pretend that everything is rosy, when they really believe that it's not. With power thinking, we understand that everything is neutral, that nothing has meaning except for the meaning we give it, and that we are going to make up a story and give something it's meaning.
I've been thinking about it, and that poem, that guy that wrote it, he meant you're gold when you're a kid, like green. When you're a kid everything's new, dawn. It's just when you get used to everything that it's day. Like the way you dig sunsets, Pony. That's gold. Keep that way, it's a good way to be.
And it's just anathema to being a writer. It's not healthy. But in another way, when I'm writing, what it's about for me is being good on the page. None of that noise could change the way I feel about my writing. Which is not always particularly positive.
When I signed with WWE, a lot of people, even close friends, told me that this place was going to chew me up and spit me out, just because of the way my personality is. It's been an adjustment for me as a human being.
I had the feeling of slipping down a smooth bottomless pit. It had nothing to do with Breuer and the people. It had nothing to do with Pat even. It was the melancholy secret that reality can arouse desires but never satisfy them; that love begins with a human being but does not end in him; and that everything can be there: a human being, love, happiness, life — and that yet in some terrible way it is always too little, and grows ever less the more it seems.
Growing up, I was a big Red Sox fan and looked up to guys like Dustin Pedroia, who's obviously not the biggest guy, but the way he competes, the way he works, it was motivating for me.
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