A Quote by Andre Ethier

You could have a season where you hit .330 and did all these great things, but nothing ever materialized from it and you went home October One. Or you could hit .260 and have key hits and key plays on defense that help your team get to the playoffs and win the World Series.
That's what stock-car racing is. You hit someone, or you get hit. That's something I had to learn. It's a key factor in why I'm so aggressive. I don't want to have to hit you. But if you're going to hit me, I'm going to hit you.
And the general shot my sister. I could not look at her, but I remember the sound of when she hit the ground. I hear that sound when things hit the ground still. Anything.' If I could, I would make it so nothing ever hit the ground again.
Jim Courier did a great job of showing the rest what is possible. He could only hit forehands, but almost every one could have been a winner. But Jim struggled when others learned to hit the ball just as hard. Many look at Andy Roddick as being a similar animal, and it could well be in a few years everybody hits the ball as hard as him.
I take my vote as a salute to the little guy, the one who doesn't hit 500 home runs. I was one of the guys that did all they could to win. I'm proud of my stats, but I don't think I ever got on for.
I've gotten stronger, but I don't ever try to hit home runs. I stay with the same approach, just hit line drives. If you get under one and it goes out, it's a home run, but I don't feel any pressure to hit home runs.
It is a different world, the underground. When you hit mainstream, you hit a saturation level and that turns some people off. When you are on more low-key stuff, it works to your advantage and it creates a buzz on the streets. At that point, the sky is the limit.
Back in the '80s and '90s, you could hit the quarterback low, you could hit the quarterback high. You could hit him pretty much late.
I don't think you have to go hit home runs to win races. I think we can get solid base hits with singles and doubles to put ourselves in a position to win.
What is a hit? Who can tell? Who decides what a hit sounds like? I needed to remind myself that a hit is whatever people decide is a hit. I don't make hits; I make music. People make hits.
Just like every other kid in my grade school, I was listening to my little radio plug in my ear when Mickey Mantle hit 18 post-season homers and won series after series for the Yankees. I listened and I learned from that. I think he was the original 'Mr. October,' but thank god it didn't stick.
Of all the trees we could've hit, we had to get one that hits back.
Most of the time, when I had hits as a soloist - maybe not so much with Simon & Garfunkel - I was surprised they were hits. I didn't know what the hits were. I never thought that 'Loves Me Like A Rock' was going to be a hit, or 'Mother And Child Reunion,' or '50 Ways To Leave Your Lover.' They didn't sound like what the hits sounded like at the time. Radio was more open to things that weren't exactly what every other hit was.
I once took the key off my girlfriend's key ring so that I could surprise her when she got home. So I did this whole romantic setup in our bedroom with flowers and rose petals. She was so mad when she got home, but then when she walked in, she was so surprised.
You could come out and play a flawless game and still lose to a quality team; you could do things right, but they hit shots and things happen.
You could have the bases loaded, and you bring up the best pinch-hitter in the world to pinch hit, he hits into a double play, and then all of a sudden: 'How could you do that?'
I'm on a never-ending quest to get back on a TV series, and I want to get on 'The Walking Dead'. I'm at this point now where, I have three things. I could either be on the Governor's team, I could be on Rick's team, or I could be a seven-foot zombie who never dies.
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