A Quote by Andre Gide
'Therefore' is a word the poet must not know.
Related Quotes
If the poet wants to be a poet, the poet must force the poet to revise. If the poet doesn't wish to revise, let the poet abandon poetry and take up stamp-collecting or real estate.
Then they began to say: 'Yes, but how can we know what is God's Word, and what is right or wrong? We must learn this from the Pope and the councils.' Very well then, let them conclude and say what they please, yet I will reply, you cannot put your confidence in that nor thus satisfy your conscience, for you must determine this matter yourself, for your very life depends upon it. Therefore God must speak to your heart: This is God's Word; otherwise you are undecided.
The word 'radical' derives from the Latin word for root. Therefore, if you want to get to the root of anything you must be radical. It is no accident that the word has now been totally demonized.
"Both Christianity and Islam are logocentric," he told his students, "meaning they are focused on the Word. In Christian tradition, the Word became flesh in the book of John: 'And the Word was made flesh, and He dwelt among us. 'Therefore, it was acceptable to depict the Word as having a human form. In Islamic tradition, however, the Word did not become flesh, and therefore the Word needs to remain in the form of a word … in most cases, calligraphic renderings of the names of the holy figures of Islam."
Among all the valuable things of this world, the word is the most precious. For in the word one can find a light which gems and jewels do not possess; a word may contain so much life that it can heal the wounds of the heart. Therefore, poetry in which the soul is expressed is as living as a human being. The greatest reward that God bestows on man is eloquence and poetry. This is not an exaggeration, for it is the gift of the poet that culminates, in time, with the gift of prophecy.
If you wish to know God, you must know his Word. If you wish to perceive His power, you must see how He works by his Word. If you wish to know His purpose before it comes to pass, you can only discover it by His Word.
Let the poet dream his dreams. Yet, the poet must look at the world; must enter into other men's lives; must look at the earth and the sky, must examine the dust in the street; must walk through the world and his mirror.
I know now that I began writing in a country where the word 'woman' and the word 'poet' were almost magnetically opposed. One word was used to invoke collective nurture, the other to sketch out self-reflective individualism. Both states were necessary - that much the culture conceded - but they were oil and water and could not be mixed.
No poet will ever take the written word as a substitute for the spoken word; he knows that it is on the spoken word, and the spoken word only, that his art is founded.
The writer must be able to revel and roll in the abundance of words; he must know not only the direct but also the secret power of a word. There are overtones and undertones to a word, and lateral echoes, too.
You don't necessarily have to write to be a poet. Some people work in gas stations and they're poets. I don't call myself a poet, because I don't like the word. I'm a trapeze artist.
The poet must not only write the poem but must scrutinize the world intensely, or anyway that part of the world he or she has taken for subject. If the poem is thin, it is likely so not because the poet does not know enough words, but because he or she has not stood long enough among the flowers--has not seen them in any fresh, exciting, and valid way.
Signs of a maddening system of writing and counting that calibrates the values of something the poet does not yet know. Praxis is therefore poetics.
Sometimes, when I am tired of so many oscillations, I look for refuge in a word which I begin to love for itself. Resting in the heart of words, seeing clearly into the cell of a word, feeling that the word is the seed of a life, a growing dawn... The poet Vandercammen says all that in a line: "A word can be a dawn and even a sure shelter."
Nothing that is worth doing can be achieved in our lifetime; therefore we must be saved by hope. Nothing which is true or beautiful or good makes complete sense in any immediate context of history; therefore we must be saved by faith. Nothing we do, however virtuous, can be accomplished alone; therefore we must be saved by love. No virtuous act is quite as virtuous from the standpoint of our friend or foe as it is from our standpoint. Therefore we must be saved by the final form of love which is forgiveness.
I sing in languages that I speak. So when I'm singing a Schubert song, I know precisely what every word means and, you know, when it was composed and who was the poet and all of that and whether Strauss or Wagner or French Belioz, Duparc or Debussy or whatever.
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