A Quote by Andre Gide

Art is a collaboration between God and the artist, and the less the artist does the better. — © Andre Gide
Art is a collaboration between God and the artist, and the less the artist does the better.
Art is the collaboration between God and the artist, and the less the artist does the better.
What is it that an artist does when he is left alone in his studio? My conclusion was that if I was an artist and I was in the studio, then everything I was doing in the studio should be art . . . . From that point on, art became more of an activity and less of a product.
I don't think you have to earn your income as an artist to be an artist. But if you are an artist, then art is what you do, whether or not you're paid for doing it; it is what you do, not what you are. I regard artist not as a description of temperament but as a category of profession, of vocation.
Exhibitions of minority art are often intended to make the minority itself more aware of its collective experience. Reinforcing the common memory of miseries and triumphs will, it is expected, strengthen the unity of the group and its determination to achieve a better future. But emphasizing shared experience as opposed to the artist's consciousness of self (which includes his personal and unshared experience of masterpieces) brings to the fore the tension in the individual artist between being an artist and being a minority artist.
I think great art goes beyond the control of the artist. In some ways, art often makes itself and reveals things about that artist that maybe the artist is not fully conscious of.
If an artist does not have an erotic involvement with everything that he sees, he may as well give up. To be a human being may a very messy thing, but to be an artist is something else entirely, because art is religion, art is sex, art is society. Art is everything.
When you are writing for an artist you are trying to get into that artist's point of view. What does that artist want to say? What do they care about? And musically, you want to show off that artist.
Why was the painting made? What ideas of the artist can we sense? Can the personality and sensitivity of the artist be felt when studying the work? What is the artist telling us about his or her feelings about the subject? What response do I get from the message of the artist? Do I know the artist better because of the painting?
You are born an artist or you are not. And you stay an artist, dear, even if your voice is less of a fireworks. The artist is always there.
Romanticizing the act of writing or any other art is not very helpful to the artist or the art. It's much better if one simply does.
The first choice an artist makes is precisely to be an artist, and if he chooses to be an artist it is in consideration of what he is himself and because of a certain idea he has of art
There questions of wanting to be an artist, and what does that mean, what makes you an artist? Are you an artist if you're in a gallery in New York and not an artist if you're doing it at home? Do you need legitimation to count? If you've been acculturated to believe that you have certain obligations - familial, social, human - if multitasking has been your forte and that's what's been praised and rewarded, where do you find the single-mindedness, the selfishness to do something like art? I think those are questions that arise differently for women and for men.
The Best of the artist's art, which will one day be in a Museum wall, the Painting that sets the artist apart of all other artist artists.
There's traditionally been a large disconnection in contemporary art between the audience and the artist. Generally, audiences are looking towards what they like, and I can tell you, that's the last thing on an artist's mind.
Fine art, that exists for itself alone, is art in a final state of impotence. If nobody, including the artist, acknowledges art as a means of knowing the world, then art is relegated to a kind of rumpus room of the mind and the irresponsibility of the artist and the irrelevance of art to actual living becomes part and parcel of the practice of art.
Art is what we call...the thing an artist does. It's not the medium or the oil or the price or whether it hangs on a wall or you eat it. What matters, what makes it art, is that the person who made it overcame the resistance, ignored the voice of doubt and made something worth making. Something risky. Something human. Art is not in the ...eye of the beholder. It's in the soul of the artist.
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