A Quote by Andre Gide
Those who have never been ill are incapable of real sympathy for a great many misfortunes
Related Quotes
A person who sets his or her mind on the dark side of life, who lives over and over the misfortunes and disappointments of the past, prays for similar misfortunes and disappointments in the future. If you will see nothing but ill luck in the future, you are praying for such ill luck and will surely get it. (Prentice Mulford)
The artists who the world has always recognized as the greatest are those with the widest sympathy. The greatness of the great artist depends precisely on the width and the intensity of his sympathy.
Refuse to be ill. Never tell people you are ill; never own it to yourself. Illness is one of those things which a man should resist on principle at the onset.
The less we parade our misfortunes the more sympathy we command.
There are two kinds of hangover: in one you feel ill and incapable, in the other you feel ill and lucid.
Many of the green places and open spaces that need protecting most today are in our own neighborhoods. In too many places, the beauty of local vistas has been degraded by decades of ill-planned and ill-coordinated development.
Actors who are lovers in real life are often incapable if playing the part of lovers to an audience. It is equally true that sympathy between actors who are not lovers may create a temporary emotion that is perfectly sincere.
It is just as often a great misfortune to be the child of the rich as it is to be the child of the poor. Wealth has its misfortunes. Too much, too great opportunity and advantage given to a child has its misfortunes.
In great misfortunes, people want to be alone. They have a right to be. And the misfortunes that occur within one are the greatest. Surely the saddest thing in the world is falling out of love--if once one has ever fallen in.
We are easily comforted for the misfortunes of our friends, when those misfortunes give us an occasion of expressing our affection and solicitude.
Many are those who pity others while being blind to their own misfortunes.
The most real characters in a great play are those who are so meticulously drawn that the audience could predict how many pairs of shoes they might have in their closet or how many close friends they had in grade school. Have any of our public figures been as fully developed in the media?
There have been great men with little of what we call education. There have been many small men with a great deal of learning. There has never been a great people who did not possess great learning.
To touch on people's lives [ in a way they ] haven't been touched on before, it´s fascianting. You know, it's one thing if [ a celebrity ] has an incredible character and you're really going to be able to delve into their personality – that's great. But you can never get real purity if people have been spoiled by the camera and don't trust you. I like feeling that I'm able to be a voice for those people who aren't famous, the people that don't have the great opportunities.
That love is reverence, and worship, and glory, and the upward glance. Not a bandage for dirty sores. But they don’t know it. Those who speak of love most promiscuously are the ones who’ve never felt it. They make some sort of feeble stew out of sympathy, compassion, contempt, and general indifference, and they call it love. Once you’ve felt what it means to love as you and I know it – the total passion for the total height – you’re incapable of anything less.
Trials make more room for consolation. There is nothing that makes a man have a big heart like a great trial. I always find that little, miserable people, whose hearts are about the size of a grain of mustard seed, never have had much to try them. I have found that those people who have no sympathy for their fellows — who never weep for the sorrows of others — very seldom have had any woes of their own. Great hearts can only be made by great troubles.
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