A Quote by Andre Gide
I would like the events never to be told directly by the author, but rather to be introduced (and several times, from various angles) by those among the characters on whom they will have had any effect. I would like those events, in the account they will make of them, to appear slightly distorted; a kind of interest stems, for the reader, from the simple fact that he should need to restore. The story requires his collaboration in order to properly take shape.
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I think of events like the Challenger and 9/11 - events that move us so much that we never quite get over them. So it's important to go back and relive those feelings in order to remember how important those events were to us.
The telling of stories, like singing and praying, would seem to be an almost ceremonial act, an ancient and necessary mode of speech that tends the earthly rootedness of human language. For narrated events always happen somewhere. And for an oral culture, that location is never merely incidental to those occurrences. The events belong, as it were, to the place, and to tell the story of those events is to let the place itself speak through the telling.
The United Nations, he told an audience at Harvard University, 'has not been able-nor can it be able-to shape a new world order which events so compellingly demand.' ... The new world order that will answer economic, military, and political problems, he said, 'urgently requires, I believe, that the United States take the leadership among all free peoples to make the underlying concepts and aspirations of national sovereignty truly meaningful through the federal approach.'
A song playing comprises a very specific and vivid set of memory cues. Because the multiple-trace memory models assume that context is encoded along with memory traces, the music that you have listened to at various times of your life is cross-coded with the events of those times. That is, the music is linked to events of the time, and those events are linked to the music.
Those of us who obsess over every word and action are constantly recalling past events, but that doesn't make them any less painful, nor does it help us transcend them. To write memoir, you have to not only recollect past events, you have to revisit them. You have to get back to the mental and emotional state you were in during those events.
If some books are deemed most baneful and their sale forbid, how then with deadlier facts, not dreams of doting men? Those whom books will hurt will not be proof against events. Events, not books should be forbid.
To preach the Gospel requires that the preacher should believe that he is sent to those whom he is addressing at the moment, because God has among them those whom He is at the moment calling; it requires that the speaker should expect a response.
Tell the story, gather the events, repeat them. Pattern is a matter of upkeep. Otherwise the weave relaxes back to threads picked up by birds to make their nests. Repeat, or the story will fall and all the king's horses and all the king's men. . . . Repeat, and cradle the pieces carefully, or events will scatter like marbles on a wooden floor.
We're living in momentous times, Garion. The events of a thousand years and more have all focused on these very days. The world, I'm told, is like that. Centuries pass when nothing happens, and then in a few short years events of such tremendous importance take place that the world is never the same again." I think that if I had my choice, I'd prefer one of those quiet centuries," Garion said glumly. Oh, no," Silk said, his lips drawing back in a ferretlike grin. "Now's the time to be alive - to see it all happen, to be a part of it. That makes the blood race, and each breath is an adventure.
Among those whom I like or admire, I can find no common denominator, but among those whom I love, I can: all of them make me laugh.
We should not care much whether those thus united (against slavery) were designated 'Whig,' 'Free Democrat' or something else; though we think some simple name like 'Republican' would more fitly designate those who had united to restore the Union to its true mission of champion and promulgator of Liberty rather than propagandist of slavery.
A memoir is not an autobiography. It's a true story told as a novel, using techniques of novelization. The author is allowed to compress events, combine characters, change names, change the sequence of events, just as if he's writing a novel. But it's got to be true.
We cannot make events. Our business is wisely to improve them. Mankind are governed more by their feeling than by reason. Events which excite those feelings will produce wonderful effects.
It put me upon reflecting how little repining there would be among mankind at any condition of life, if people would rather compare their condition with those that were worse, in order to be thankful, than be always comparing them with those which are better, to assist their murmurings and complaining.
The analytical writer observes the reader as he is; accordingly, he makes his calculation, sets his machine to make the appropriate effect on him. The synthetic writer constructs and creates his own reader; he does not imagine him as resting and dead, but lively and advancing toward him. He makes that which he had invented gradually take shape before the reader's eyes, or he tempts him to do the inventing for himself. He does not want to make a particular effect on him, but rather enters into a solemn relationship of innermost symphilosophy or sympoetry.
We are the only beings on the planet who lead such rich internal lives that it's not the events that matter most to us, but rather, it's how we interpret those events that will determine how we think about ourselves and how we will act in the future.
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