A Quote by Andre Gide

There is no work of art that is without short cuts. — © Andre Gide
There is no work of art that is without short cuts.
In fitness, there are no short cuts. It involves immense discipline and hard work.
Success is not an accident. It is sheer hard work. There is no short-cuts. You have to take the stairs and you have to start from the bottom.
Regarding one's career: always be prepared, no short cuts - hard work is the only alternative that really works.
What is it about a work of art, even when it is bought and sold in the market, that makes us distinguish it from . . . pure commodities? A work of art is a gift, not a commodity. . . works of art exist simultaneously in two “economies”, a market economy and a gift economy. Only one of these is essential, however: a work of art can survive without the market, but where there is no gift, there is no art.
The work of art is brought into the world without there being a need for it. The house satisfies a requirement. The work of art is responsible to none; the house is responsible to everyone. The work of art wants to draw people out of their state of comfort.
Nothing good comes in life or athletics unless a lot of hard work has preceded the effort. Only temporary success is achieved by taking short cuts.
Tiger is a sincere and hard working actor. I have always found him passionate about his work. He is not the kind to believe in taking short-cuts to success.
One clear difference between art and commercial work is that commercial work is exploitive: the work may be high quality but the intention is to sell product or tickets. Art exists with or without ticket sales.
I had no contact with my contemporaries in the photographic field, nor even knowledge of their work. So I was influenced by no-one and there were no short cuts for me. I was self-taught the hard way, by trial and error.
Every game, and almost every life situation, has short cuts: ways you can get better without learning the entire literature of the game from beginning to end.
Over the past 100 years, there have been three major periods of tax-rate cuts in the U.S.: the Harding-Coolidge cuts of the mid-1920s; the Kennedy cuts of the mid-1960s; and the Reagan cuts of the early 1980s. Each of these periods of tax cuts was remarkably successful as measured by virtually any public policy metric.
We've reached a point where we are not a very empathetic people, and art without empathy is art without an audience. My basic viewpoint is that without art we're alone.
In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable.
But I am not sure it would contain any short stories. For the short story is a minor art, and it must content itself with moving, exciting and amusing the reader. ...I do not think that there is any (short story) that will give the reader that thrill, that rapture, that fruitful energy which great art can produce.
There are no short cuts to the top.
I always say, I'm a woman, I can't change my sex. I can't get angry about it. I'm too busy desperately trying to get my movies made. It's hard work. There are no short cuts. If there were, I would have found them by now.
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