A Quote by Andre Holland
In '42,' it's like the '40s where racial equality had come into the consciousness of a lot of people, whereas in the 1900s it was sort of a new thing.
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But it all came, and for me, hip-hop has done more for racial divide and racial sort of bringing together than anything in the last 30 years. Seeing people like Eminem sounding like somebody like Jay-Z and just the racial aspects of it all.
We had had mass immigration from the late 1800s all the way through the early 1900s to the 1920s, and we had to pause the immigration in order to for the new arrivals to assimilate, to become Americans, to learn English, for one thing. The one thing - or not the one; there are many different things.
I served for 42 years on the board of trustees of the largest Presbyterian seminary, Princeton Theological Seminary, and we had brilliant people - teachers and students both-but they did not come up with many new concepts. They weren't invited to come up with new concepts. Anybody who had come up with a new concept would have been under suspicion for being out of step with the tradition or out of step with the teachings of the church.
For me, the only drag about the whole thing is that a lot of my childhood friends had to be relocated to the outskirts of New York because of the gentrification. But I think it's always a good thing when you bring people of all different backgrounds together, that's sort of what New York is.
My fight is not for racial sameness but for racial equality and against racial prejudice and discrimination.
My dad's from that generation like a lot of immigrants where he feels like if you come to this country, you pay this thing like the American dream tax: like you're going to endure some racism, and if it doesn't cost you your life, well hey, you lucked out. Pay it; there you go, Uncle Sam. I was born here, so I actually had the audacity of equality.
If I can mean to people - if I can symbolize the ability to pursue gender equality, racial equality, and to be truthful about our experiences, then, absolutely, that's what I want to be.
I've dreamed a lot of things and a lot of them have come true. The Grammy nomination was the last thing on my list before I had to write a new one. So I'm working on a new one.
I think there's a lot of shame in American race relations. There's a lot of suppressed guilt that lashes itself out still. I see that all the time, and whereas opposed to sort of trying to address the issue in an up-front way, they're attacking and thus perpetuating the problem thinking that they're being sophisticated and post-racial, when, in fact, they're being completely regressive.
I really like when people do 'stream of consciousness' tweeting, or when people's tweets come across as sort of manic and mostly unedited.
Anything that I'm doing I think I always come at it from an outsider perspective. The first like real front page story that I had for the Times was about how after decades of battles over public restrooms in New York City, effectively chain stores had become the public restroom of choice for New Yorkers, it's sort of a silly little thing, but coming as an outsider, I was like 'Oh this is actually really interesting.'
By dismantling the narrow politics of racial identity and selective self-interest, by going beyond 'black' and 'white,' we may construct new values, new institutions and new visions of an America beyond traditional racial categories and racial oppression.
I come out of the environment of the Deep South, where I had seen the millstone of racial discrimination weighting down my people, both the black people and the white people; and I had seen the enormous progress that we were able to make after we removed the legal restraints of a two-class society, with the whites superior and blacks inferior. So I was very convinced before I became President that basic human rights, equality of opportunity, the end of abuse by governments of their people, was a basic principle on which the United States should be an acknowledged champion.
My ideal city is more like the city (New York and Paris come to mind, but it sort of applies to all) that existed up to and including the 1930s, when different classes lived all together in the same neighborhoods, and most businesses of any sort were mom-and-pop, and people and things had a local identity.
I believe profoundly in the possibilities of democracy, but democracy needs to be emancipated from capitalism. As long as we inhabit a capitalist democracy, a future of racial equality, gender equality, economic equality will elude us.
It's very exciting to take magic into a new direction, whereas a lot of times magic comes from a place of sort of ego, like, 'Look what I can do that you can't do.' It kind of comes across that way a lot, and you're always trying to challenge the magician; you're always trying to figure out how the magician is doing it.
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