A Quote by Andre Holland
I read a lot of W.E.B. Du Bois, who wrote 'The Souls of Black Folk.'
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I think I've read all of W.E.B. Du Bois, which is a lot. He started off with comprehensive field work in Philadelphia, publishing a book in 1899 called 'The Philadelphia Negro'. It was this wonderful combination of clear statistical data and ethnographic data.
We understand that, in our communities, black trans folk, gender-nonconforming folk, black queer folk, black women, black disabled folk - we have been leading movements for a long time, but we have been erased from the official narrative.
I would encounter W. E. B. Du Bois and the term double consciousness. When I read it, I thought about sitting in my mother's employer's family room, watching my mother clean while I waited for her to finish so we could go home.
Governmental intervention and personal responsibility are not mutually exclusive issues, but they do frame a 'do it ourselves' vs. 'what are you doing for us' debate. For the black community, that's a debate that's been raging at least as far back as the W.E.B. Du Bois, Booker T. Washington philosophical grudge matches.
I wanted to do a show about a family that is absolutely black. Because as Du Bois has shown, we do have to live a double consciousness every day in the world. We have to walk our path and walk the mainstream path, and there's never really been a show that's talked about what that's like.
Du Bois marked a great stage in the history of Negro struggles when he said that Negroes could no longer accept the subordination which Booker T. Washington had preached.
We say Black lives matter, but a lot of white folks don't know Black folk.
As a teenager, I read a lot of H.P. Lovecraft, so I wrote like H.P. Lovecraft. And in my 20s, I read a lot of Ross Macdonald and Raymond Chandler, so I wrote like those guys. But, little by little, you develop your own style.
You have to resign yourself to the fact that you waste a lot of trees before you write anything you really like, and that's just the way it is. It's like learning an instrument, you've got to be prepared for hitting wrong notes occasionally, or quite a lot, cause I wrote an awful lot before I wrote anything I was really happy with. And read a lot. Reading really helps. Read anything you can get your hands on.
In the course of his long, turbulent career, W. E. B. Du Bois attempted virtually every possible solution to the problem of twentieth-century racism...scholarship, propaganda, integration, national self-determination, human rights, cultural and economic separatism, politics, international communism, expatriation, third world solidarity.
There is not a history of black intellectuals being allied with dominant forces to hold white people in social and cultural subordination for a few centuries. Second, the "our" of black folk has always been far more inclusive that the "our" of white folk. For instance, there would have hardly been a need for "black" churches if "white" churches had meant their "our" for everybody - and not just white folk. But "our" black churches have always been open to all who would join. The same with white society at every level.
And no book gives a deeper insight into the inner life of the Negro, his struggles and his aspirations, than, The Souls of Black Folk.
It is extremely interesting to me that black males, and other black folk, are viewed as self-pitying, by either other blacks who have failed to accurately calculate their own diminished status as a result of racial animosity - both individual and systemic - or by whites who fail to comprehend how, after forcing black folk into subservience for hundreds of years, they now whine about small privileges that pale - so to speak - in comparison to the untold advantage of centuries of benefit.
I feel like, in a lot of ways, 'Hidden Figures' is the book that I wrote and have been waiting to read since I learned to read.
I was always depressed growing up. There wasn't a reason for it, I just was. I was sad and morose. I cried a lot, I wrote a lot, and I read a lot; and that was how I dealt with it.
I was always depressed growing up. There wasnt a reason for it, I just was. I was sad and morose. I cried a lot, I wrote a lot, and I read a lot; and that was how I dealt with it.
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