I moved to New York in '92 and got my graduate degree in acting from NYU - they have a great acting program. I graduated in '95.
I went to drama school at NYU for serious acting. So I was doing Chekov and Sam Shepard plays.
I'm starting to teach now: I teach in the graduate film program at NYU and next year I'm going to be teaching at Los Angeles at the film program and English program at UCLA.
I went to McGill University, but I didn't graduate. They won't graduate me because I didn't have a degree in any one thing. I studied everything and they were like, "You studied too many things, so we can't give you a degree."
My husband is a graduate of two Ivy League universities - with a degree in Classics! - and he sounds like a David Mamet character when I hear him on a business call.
When I was a kid, I thought I was going to be an actor. I actually studied acting when I was at NYU, and I made a lot of television commercials - that's actually how I put myself through NYU and through college.
I was first introduced to August Wilson in the 80s when Charles Dutton did Ma Rainey and James Earl Jones and Courtney Vance did Fences. I've long considered August Wilson to be one of the five greatest playwrights in American history.
I loved theater and went to Circle in the Square's post-graduate program for two years and studied acting and directing and I loved it. I loved acting and directing - I really like directing a lot. Some days I think maybe someday I'll go back and direct something.
I always did plays, and when I went to NYU - and I didn't go to Tisch, the theater school, because I was like, 'Well, acting's not realistic. You can't make a career out of it.' So I just studied general studies and humanities at NYU, but I was doing plays while I was there. So I was sort of cheating.
David Mamet gives me great heart. When I ask myself, 'I don't know if I can do this again,' Mamet would say, 'Oh yes, you can.'
When I was a kid, I wanted to be an actor in classics like Shaw and Shakespeare and Chekov and Ibsen.
I come from a theater background. I studied acting at NYU and also the Groundlings in L.A.
Tisch has a great film program and a great acting program, but they are segregated; you don't really intertwine. My peers knew I liked acting, so they'd be like, 'Go get that guy Gubler. He'll be in your student film.' I was in the same building. I became their go-to guy. So I left NYU having been in probably one thousand short films.
I studied writing at NYU. I graduated high school in Nashville and then went to the creative writing program, and in the first year, that's when I wrote 'Kids.'
David Mamet we all know is a great screenplay writer and playwright and a great director. If you like him, you like him. If you hate him, you really hate him. He's someone who's into controversy, you know what I mean? That's David Mamet.
In the case of 'Blood Stone,' the producers, EON, Michael Wilson, Barbara Broccoli, David Wilson and Gregg Wilson, had an idea for a story and had a lot of it done. And I came in, worked with them, fleshed it out.