A Quote by Andre Holland
I want to see more young filmmakers, and specifically filmmakers who have a unique voice. I wouldn't mind seeing less of the attempt to force-feed people what others think they want, if that makes sense - whatever the formula is that some people seem to operate under, like needing a certain star, or needing a certain thing in order to get a piece made.
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I like filmmakers where, if their film comes on and you step in halfway through it, you can recognize that, hey, this is a Coen Brothers film. Or, hey, this is a Stanley Kubrick movie. You can recognize some filmmakers. Like, if you put on a Sam Raimi movie, you can tell that it's a Sam Raimi movie pretty quickly. I like a signature style that people can recognize and relate to, and connect with. I think that is part of why we seek out certain directors. We want to see how they view the world.
You don't want to seem like a whiner, complainer. You don't want to seem like you don't appreciate certain people, certain fans, certain coaches, criticisms. You want to be professional about it. But everybody's got their opinions, from the top to the bottom, and it's their opinion, you respect it. But nobody does our job better than we do.
Filmmakers are always in a bubble; along with our crew or writer, we don't really get to socialize with other filmmakers, so the great thing about Sundance is you can see many other filmmakers doing the same thing you do.
If Madhur Bhandarkar makes a movie tomorrow, people will expect him to do something like 'Chandni Bar' or 'Corporate!' Similarly, it takes time for filmmakers to break that stereotype and attempt something new - it is difficult for filmmakers to be versatile in Bollywood.
For filmmakers that want to have certain control, there are certain things you can't do in VR.
See, the thing that bothers me with young actors, young actors of color specifically, is that they see movies and television, and they figure that's all it is to it. They have no respect for the craft. They want to be, you know, movie stars or whatever. And I worry that we're losing a certain quality, you know?
We see ourselves as filmmakers and as storytellers. We want to make films that move people emotionally. The most effective thing that cinema can do is get into people's hearts and have them see a new perspective on life - step inside someone else's shoes and mind for 90 minutes and experience the world in that way.
I think filmmakers, in general... There are some awesome, really great filmmakers - but on the whole, filmmakers, actors, I think they are the biggest bunch of whiny, over-paid babies on the planet.
The consumer is deciding what they want to see and when and how, and filmmakers are more aware and accepting of the fact that success is not predicated on your movie showing in a traditional theater for a certain amount of time.
People are born in a certain place, and in a certain society. I don't mean to sound like a determinist, but to think we're entirely free to do whatever we want betrays a certain class perspective. For most people who have to work for a living, and work at jobs under conditions they may not like, it's just not simple when it comes to freedom.
God wants us to be stronger than we are--more fixed in our purpose, more certain of our commitments, eventually needing less coddling from Him, showing more willingness to shoulder some of the burden of His heavy load. In short, He wants us to be more like He is and, if you haven't noticed, some of us are not like that yet.
The thing with this industry is, it's in your face, it's there. You are privy to whatever goes on, and somehow people have this sense of entitlement towards actors and filmmakers' life. It's like you don't have any privacy, your life is out there for people to see.
There's no such thing as mental illness. We're all mentally ill and we're all haunted by something, and some people manage to find a way to ride it out so that they don't wind up needing extra help. So I think that "mental illness," as a term, is garbage. Everybody is in various states of needing to transcend something.
No one is immune to needing to sit or needing to go down at the right time, and you want to give guys a chance.
If you have it you don't need it. If you need it, you don't have it. If you have it, you need more of it. If you have more of it, you don't need less of it. You need it to get it. And you certainly need it to get more of it. But if you don't already have any of it to begin with, you can't get any of it to get started, which means you really have no idea how to get it in the first place, do you? You can share it, sure. You can even stockpile it if you like. But you can't fake it. Wanting it. Needing it. Wishing for it. The point is if you've never had any of it ever people just seem to know.
Normally, filmmakers would just write a script and cast people to act as certain characters in the story. But in my way of doing things, I have the actors in my mind already, so I'm trying to borrow something that's unique to them. The characters have a very natural connection to the actors themselves.
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