It is that rare film [Moonlight] that comes along once in a while that catches the zeitgeist. This movie is that. I certainly have my fingers crossed that it is. Everyone needs to see this movie.
I think the best thing you can do when you go and see a movie is to bring somebody along who really enjoys the film with you. I think this is one of those movies... it wouldn't be their first choice. But once they're in there and they see the enjoyment that not only they're getting, but also their wife or their girlfriend then it makes for a much more pleasant evening after the movie!
I try to follow my instinct as a moviegoer and I do the thing I would love to see it at a movie. I'm like everyone, almost, I go to a movie once a week. I like every kind of film if it’s well made. I’m fine. I’m not a specialist fighting for a genre of film. You just have to follow your instinct.
I've never crossed over to be a big star. I'd like to be in a big $100 million movie, though. 'Cause I was in an 'Austin Powers,' I think I had two lines, and every once in a while, I get a check, a really nice check, for that movie.
For a movie - any movie - to work, all the bread has to fall jelly side up; everything has to go right. You have to hit the zeitgeist.
If I see a movie for the first time on DVD, I watch it all the way through, the lights are down, I don't pick up the phone. The third or fourth time you see a movie, sometimes you just have them on and you check in every once in a while with things that you liked. I think it's a different expectations from that environment.
Certainly, every movie has to be looked at differently. But I think what happens is, every couple of years, a movie comes along that everybody then tries to copy.
If you've ever compared a film to a novel it's based on, you know the novel gets bludgeoned. It's inevitable, because different media have different strengths and needs, and when you make a movie, the movie's needs get served.
'Infinity War' needs no teasing. That movie literally needs no teasing. It's going to be the biggest movie of all time. Believe me; no one is ready for this movie.
'Scary Movie' has lost its way as a franchise. It has turned into 'Disaster Film' and 'Epic Movie' and 'Date Movie' and that isn't what I wanted. I wanted to do a movie that was just grounded in a reality that went to crazy places.
I've never written a movie, I'm not in the movie business. I go out to L.A. and I'm like everyone else wandering around in a daze hoping I see movie stars. I write the novels that the movies are based on, and that feels like enough of a job for me.
I showed my mom the movie then I told her the movie got bought and that it was gonna be shown in theatres and be on video. Everyone was really psyched about it. Everyone in my little town of hounds started to call me movie star.
I figure if kids see a movie about 12-year-olds chopping each other up, they can probably see a movie where everyone keeps their clothes on and doesn't use foul language.
In editing, you really face what the movie is. When you shoot it, you have this illusion that you're making the masterpieces that you're inspired by. But when you finally edit the movie, the movie is just a movie, so there is always a hint of disappointment, particularly when you see your first cut.
I've made some stupid decisions, so I have to be careful. I once said 'no' to a film that was a number-one hit. And 'Date Movie' had the smallest budget of any movie I'd been in, and it went to the top of the box office.
Let us say in the pocket of one of my old coats I find a movie ticket from many years ago. Once I see the ticket, not only do I remember that I saw this movie, but also scenes from this movie, which I think I have entirely forgotten, come back to me. Objects have this power, and I like it.
A good movie is a movie that you could see over and over again, not a movie that wins a Oscar, or a movie that makes a lot of money. It's a movie that you personally can watch over and over again. That, to me, is a measure of a good movie.