A Quote by Andre Holland

I have known Tarell Alvin McCraney for ten years but the involvement with Moonlight came more with Barry Jenkins, the director. He was a fan of the show I did called The Knick. He was also with Plan B Entertainment, who produced Selma. That is how I got involved.
It [Moonlight movie] deals with drug addiction, drug dealing, and single parenthood, but they are three dimensional characters. You understand where they are from and what they are trying to do with their lives. It is not a stereotype that has been pasted onto somebody. These are stories that come from Barry's [ Jenkins] and Tarell's [Alvin McCraney] mothers.
I wanted to work with Barry [ Jenkins]. I am a big fan of his from Medicine for Melancholy years ago. Tarrell [Alvin McCraney] is my favorite playwright. I will do anything he asks. The characters were so clearly drawn and three dimensional. It was an easy thing to say yes to.
I have worked with Tarell Alvin McCraney, who is the play Moonlight is based on. He's a company member at Steppenwolf. I have done a could of his plays here.
I went down and spoke to some of the people who lived in the neighborhood in Miami. At the end of the day I think my connection with Tarell [Alvin McCraney] is what helped me the most.
I was just really happy to see Barry [Jenkins] and Mahershala [Ali] and everyone else involved with "Moonlight" get their moment.
I had a cheat sheet because I knew Tarell [Alvin McCraney]. His movie is largely autobiographical. I knew about certain events in his life and some of the people he talks about. I had visited the place where he lived many times so I understood innately what that was.
One picture and one win cannot right a million wrongs. It's a step in the right direction.We have to get to a point where a movie like "Moonlight" winning [Oscar] or Barry Jenkins being nominated and winning, you know, for a screenplay or being nominated for best director - that it's just commonplace. They shouldn't be a novelty.
I've been a big fan of Barry Jenkins for a long time.
I've been very blessed to have worked with two incredible directors - Barry Jenkins on 'Moonlight' and Ted Melfi on 'Hidden Figures' - and it was a collaborative effort in shaping my characters, Teresa and Mary.
I am a creator of TV shows. 'Lifestyle' ran for 14 years... that was pleasurable. We also had 'Runaway' for eight years. We did two years of a show called 'The Start of Something Big', and we did a network series called 'Fame, Fortune and Romance.'
I actually grew up a Knick fan - my dad was a Knick fan.
My very first show that I ever did was a show called 'Then Came You'. It became a huge hit - no, it didn't. But it was a sitcom with some great people involved, and the story was about an older woman and a younger guy. I was the older woman's best friend. I was 27 years old.
I did a show called 'Andaz' many years ago which was produced by Himesh Reshammiya.
To become a chess grandmaster also seems to take about ten years. (Only the legendary Bobby Fisher got to that elite level in less than that amount of time: it took him nine years.) And what's ten years? Well, it's roughly how long it takes to put in ten thousand hours of hard practice. Ten thousand hours is the magic number of greatness.
I did a play I think my first six months on the show, called Bullpen. Then I got involved with Theater Forty and did this play called Plastic which is about two male models coming to a casting call.
But I don't only get recognized for 'Friday the 13th.' I was on a TV show called' I've Got a Secret.' I was on that show for ten or eleven years. The older people always remember me from that.
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