A Quote by Andre Kertesz

I can't talk about my style. It us kind of difficult for me. I don't like styles. I only like taking photos and expressing myself through them. — © Andre Kertesz
I can't talk about my style. It us kind of difficult for me. I don't like styles. I only like taking photos and expressing myself through them.
My dad was always taking photos of us at home, and even on set - he'd bring us along and stick us in the photos in the background. It was almost the beginning of acting for me, like, 'Hey, you go over there and play basketball in the background, and don't even think about the camera.'
I'm not in the media that much, so people don't know my personality very well - they just know my work. I feel bad for people who have to read about my personal life and my relationships and see photos of me going through security at an airport. It's like watching a commercial for a hamburger that looks delicious, like a Big Mac, and then going to where they make it and taking photos of what it looks like behind the counter, and it's horrifying.
Learning that aesthetic as a kid - seeing those photos - made me think that that's what photos are supposed to look like. I never understood snapshots. I was looking at them like, "This is horrible; that's not what a picture is supposed to look like." I was taught by these photos. So when I picked up the camera, though I had never done it before, I kind of already knew what I was doing.
Instagram is a media company. I think we're about visual media. I explain ourselves as a disruptive entertainment platform that enables communication through visual media. I don't think it's just photos. There's a reason we don't allow you to upload photos on the Web as albums. It's not about taking all these photos off your DSLR putting them into an album and sharing them with your family. It's not about that. It's about what are you up to right now out in the real world, how can you share that with everyone.
Every violinist has a different style, so it's important to be able to recognise their styles. You don't have to like everyone's style but you have to know these styles.
When you talk about avant-garde cuisine, the surprise factor is really important. For example, I love looking at blogs and the photos, but I'm not that keen on other people taking photos of my dishes.
God, what if TMZ got hold of the truth about me? What a liar I am, I mean? What kind of role model am I? I make Vanessa Hudgens look like Mother Freaking Teresa. Minus the whole nudity thing. Because I'm not about to take naked photos of myself and send them to my boyfriend.
Don't label me before we get a chance to talk about it. Talk to me first and see what kind of person I am. That's what I like to tell the media: Come talk to me, let's sit down and talk about what's really going on.
When you're first pregnant, you don't want to talk about the idea that a miscarriage or premature birth is possible. The difficulties of things like that kind of get swept under the rug, and when they happen to us we are blindsided and think we are the only people going through it.
The hardest thing is being with other people — it's like they're on a different wavelength, but only you know it. They talk about their lives and what's wrong with them, and you kind of, like, just let them go. It's a whole different language, and you've got to remember that you can only respond in their mother tongue. It's really hard to relate.
People like Nick Cave - that ridiculous, over-the-top doom, taking it to extremes - I find it uplifting because it's like someone else is feeling what you're feeling and putting it into their music. Someone expressing extreme joy is just as valuable; it's just the fact that they're expressing their soul through music.
I think often when we talk about things like cancer, the kind of final act at the end of the story comes with a cure. But we don't talk a lot about what happens after. And it took me a while to even acknowledge to myself how much I was struggling.
Every morning I wake up and I tell myself this: It's just one day, one twenty-four-hour period to get yourself through. I don't know when exactly I started giving myself this daily pep talk--or why. It sounds like a twelve-step mantra and I'm not in Anything Anonymous, though to read some of the crap they write about me, you'd think I should be. I have the kind of life a lot of people would probably sell a kidney to just experience a bit of. But still, I find the need to remind myself of the temporariness of a day, to reassure myself that I got through yesterday, I'll get through today.
We don't know love like we should. We always talk about 'I have unconditional love' unconditional love is... we don't even know it. Because if a person stops stimulating us, we stop loving them. You're not interesting to talk to anymore, goodbye. But that real love, that love that sometimes is difficult, difficult to have. That's that love. And that's a confidence builder.
To talk about paintings is not only difficult but perhaps pointless too. You can only express in words what words are capable of expressing-- what language can communicate. Painting has nothing to do with that.
I like [George] Benson because I just like it. I like that kind of style. I don't like the broken up kind of style. I don't like where you play for 16 bars and then break it up into what somebody's version of what birds twittering sounds like, or what the sound of the city is, or what New York sounds like.
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