A Quote by Andre Kostelanetz

Everybody should have his personal sounds to listen for - sounds that will make him exhilarated and alive or quiet and calm. — © Andre Kostelanetz
Everybody should have his personal sounds to listen for - sounds that will make him exhilarated and alive or quiet and calm.
We listen too much to the telephone and we listen too little to nature. The wind is one of my sounds. A lonely sound, perhaps, but soothing. Everybody should have his personal sounds to listen for-sounds that will make him exhilarated and alive, or quiet and calm... As a matter of fact, one of the greatest sounds of them all-and to me it is a sound-is utter, complete silence.
Several times a day, stop and just listen. Open your hearing 360 degrees, as if your ears were giant radar dishes. Listen to the obvious sounds, and the subtle sounds?in your body, in the room, in the building, and outside. Listen as if you had just landed from a foreign planet and didn?t know what was making these sounds. See if you can hear all sounds as music being played just for you. Even in what is called silence there is sound. To hear such subtle sound, the mind must be very quiet.
To my ears, jazz sounds better in warm weather and after the sun has gone down. While I will listen to some of my favorite jazz records in cooler weather, it's the warmer nights that really make them come alive. Something about those sounds and the heat of the night really makes it happen for me.
One way to practice staying present is to simply sit still for a while and listen. For one minute, listen to the sounds close to you. For one minute, listen to the sounds at a distance. Just listen attentively.
I listen to the group Disclosure; they have great sounds. Maybe not as adventurous as Skrillex. I think the key thing is to have those beautiful sounds... the amazing sounds of Skrillex are almost phenomenal.
For myself and my own experience now, I don't really need any music. I have enough to listen to with just the sounds of the environment. I listen to the sounds of 6th avenue.
I let my head fall forward into his shoulder, breathing in his scent. "Now what do we do?" He's quiet for a while and I finally lean back to look him in the eyes. He appears conflicted by something and then he sets me down on the ground, lacing his fingers through mine. "Should we see where the wind takes us?" he asks. I stare at my hand in his and then look up at him. "That sounds good to me.
Most bands play one style of song. If you listen to Metallica it all sounds exactly like Metallica, and if you listen to Black Sabbath it all sounds like Black Sabbath. I like AC/DC a lot but you can pick those sounds out on the radio in a heartbeat because they all have certain things in common.
I try to listen attentively to musical sounds around me. You can think of the sounds of daily life as being musical. So I try to absorb the intricacies of the sounds as I would if I were listening to a piece of music. I try to see the beauty in everything.
I love that tension between machine sounds and organic sounds, and also the contrast between abrasive sounds and soft sounds.
I'm just a sucker for new-agey synth sounds and instrumentation. I wasn't really thinking of soft rock, but I know that kind of quiet-storm format uses a lot of these sounds.
I usually speak with all my drummers so that I write my songs with them in mind, and we'll have bass sounds, choir sounds, and then you can multi-task with all these orchestral sounds. Through the magic medium of technology, I can play all kinds of sounds - double bass and stuff.
Now I will do nothing but listen to accrue what I hear into this song. To let sounds contribute toward it. I hear the sound I love. The sound of the human voice. I hear all sounds running together.
A Composer who hears sounds will try to find a notation for sounds. One who has ideas will find one that expresses his ideas, leaving their interpretation free, in confidence that his ideas have been accurately and concisely notated.
The therapist can interpret, advise, provide the emotional acceptance and support that nurtures personal growth, and above all, he can listen. I do not mean that he can simply hear the other, but that he will listen actively and purposefully, responding with the instrument of his trade, that is, with the personal vulnerability of his own trembling self. This listening is that which will facilitate the patient's telling of his tale, the telling that can set him free. (5)
Maybe I just never learned my harmony part, because what everybody says sounds odd to them sounds perfectly natural to me.
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