A Quote by Andre Malraux
In a world in which everything is subject to the passing of time, art alone is both subject to time and yet victorious over it.
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To a mind like mine, restless, inquisitive, and observant of everything that was passing, it is easy to suppose that religion was the subject to which it would be directed; and, although this subject principally occupied my thoughts, there was nothing that I saw or heard of to which my attention was not directed.
I never start with what lots of people think of as a subject or a theme. They're school words, not art words. So, writing essays busts my arse because the art is in addressing the subject. I find it really difficult and monstrously time-consuming. In an essay I need to employ my imagination but it's indentured in a way it's not when I'm free to make everything up.
I have always had a tendency to keep enlarging problems which I personally think is the way the world works... that seeing anything one dimensionally on the kinds of political, sort of big issues of human progress is going to be a distorted view of things, which is why over my career I have gone seemingly from subject to subject to subject.
Every three or four years I pick a new subject. It may be Japanese art; it may be economics. Three years of study are by no means enough to master a subject but they are enough to understand it. SO for more than 60 years I have kept studying one subject at a time.
Confronted with the loving-sharing Consensus of subject-SUBJECT relationships all Authoritarianism must vanish. The Fairy Family Circle, co-joined in the shared vision of non-possessive love - which is the granting to any other and all others that total space wherein each may grow and soar to his own freely-selected, full potential - reaching out to one another subject-to-SUBJECT, becomes for the first time in history the true working model of a Sharing Consensus!
Looking at the shape of the world, I see how we're in a time where women are the subject of hatred, fear, and we have to fight that all the time. I feel that there are fights we take for granted. When I look at the world, I see that women are subject to cruelty. And that's why the global gag rule means so much to me, that the United States wouldn't stand up for the rights and health of women.
He who thinks he can have flesh and bones without being subject to any external influence, or any accidents of matter, unconsciously wishes to reconcile two opposites, viz., to be at the same time subject and not subject to change. If man were never subject to change there could be no generation; there would be one single being, but no individuals forming a species.
The subject matter that I am really spending my time on has become an acceptable subject matter. Living, lifestyle, family, is now in the forefront of interest in America, and I've just stuck with it. I mean, I've been doing this for years, and I never got angry. I never said, you know, listen, I'm fighting for this subject. That wasn't my point. My point was to continue working in a subject matter, knowing full well that finally it would be recognized as a viable subject once again.
It's really not possible for someone to imagine himself/herself as a subject in the process of becoming without having at the same time a disposition for change. And change of which she/he is not merely the victim but the subject.
I positively encourage time abroad to anybody. It's worth taking the time to suss out which countries in the world are well funded for your subject and look for opportunities there.
There was a time when events that define the human condition were subject to very limited and time-delayed analysis. In the 21st Century and beyond, however, the human condition is subject to real-time, overwhelming analysis and dissection.
We can no longer contemplate the subject - self - of contemporary art; it has been woven into infinite relationships, replaced by social movements, national image, and financial capital. The disappearance of the construction of the self of contemporary art makes it impossible to exist in the form of a subject. The subject of contemporary art that I speak of is a kind of naming event predicated upon the multiplicity of the environment. It includes politics, should have its own way of thinking, and can be perceived.
The human dilemma is that which arises out of a man's capacity to experience himself as both subject and object at the same time.
Money is kind of a base subject. Like water, food, air and housing, it affects everything yet for some reason the world of academics thinks it's a subject below their social standing.
Subjects who reciprocally recognize each other as such, must consider each other as identical, insofar as they both take up the position of subject; they must at all times subsume themselves and the other under the same category. At the same time, the relation of reciprocity of recognition demands the non-identity of one and the other, both must also maintain their absolute difference, for to be a subject implies the claim of individuation.
I am sorry to have to introduce the subject of Christmas. It is an indecent subject; a cruel, gluttonous subject; a drunken, disorderly subject; a wasteful, disastrous subject; a wicked, cadging, lying, filthy, blasphemous and demoralizing subject. Christmas is forced on a reluctant and disgusted nation by the shopkeepers and the press: on its own merits it would wither and shrivel in the fiery breath of universal hatred; and anyone who looked back to it would be turned into a pillar of greasy sausages.
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