A Quote by Andre Maurois
There are very few really brilliant men who have not had at least one madman among their ancestors.
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One of the things that is wonderful about hymns is that they are a sort of universally shared poetry, at least among certain populations. There isn't much of that anymore either. There are very few poems people can recite, but there are quite a few hymns that, if you hum a few bars, people can at least come up with two verses. Many of the older hymns are very beautiful.
Men can know more than their ancestors did if they start with a knowledge of what their ancestors had already learned....That is why a society can be progressive only if it conserves its traditions.
I had very supportive parents that made the way for me, even at a time when there were very few women - no women, really; maybe two or three women - and very few, fewer than that, African-American women heading in this direction, so there were very few people to look up to. You just had to have faith.
I like men who are very cool but who are also so brilliant that they are almost insane. Sean Penn, Gary Oldman, Bob Dylan, Tom Waits - men who would be flipping burgers if they hadn't found an outlet for their brilliant mind-sets.
I like men who are very cool but also so brilliant that they are almost insane. Sean Penn, Gary Oldman, Tom Waits - men who would be flipping burgers if they hadn't found an outlet for their brilliant mind-sets. I also like men who have hands with big masculine veins that you can squish and move.
Wherever the choice has had to be made between the man of reason and the madman, the world has unhesitatingly followed the madman.
We are led by the least among us - the least intelligent, the least noble, the least visionary. We are led by the least among us and we do not fight back against the dehumanizing values that are handed down as control icons.
I took it for granted that there must be a few men left in the world who had that kind of strength. I assumed that those men would also be looking for women with principle. I did not want to be among the marked-down goods on the bargain table, cheap because they’d been pawed over. Crowds collect there. It is only the few who will pay full price. "You get what you pay for.
One of the first roles I had on stage was with a brilliant director in a brilliant play with a brilliant cast, but I just couldn't find my way into the heart of the character. I found myself straining a lot. When it started. I felt lost. That was the Eugène Ionesco play Rhinoceros. I don't think I was prepared for that. I don't think I had the full tool kit to do it justice. It's a very difficult play, it's an extraordinarily difficult part, and I never felt I really got it right. Far from it. To a degree, Hamlet was the same.
I said Revolver is my favorite The Beatles album, but only because it came to my head and it's a brilliant one. But they're all pretty brilliant. There's variations, but they're all brilliant, and it just depends on if they're very brilliant, or just a bit brilliant. It changes.
I know that I present very - they say that I present very, very calm and very, very smart, very articulate, elegant. Yeah. And I go, 'Brilliant teams of makeup and wardrobe happened to dress me and clothe me and put my face on and do my hair. And then these brilliant teams of writers give me words to speak. I just need to make sure that I have them all in this combination in my body, in my being, and then I get to do it on camera, in front of a brilliant team of camera workers who really know how to like me and make me sound good.' So I'm just really a dork in real life.
I feel there are a very few actresses who can perform really well. I want to be one among them.
Would Alexander, madman as he was, have been so much a madman, had it not been for Homer?
To the feudal aristocracy and the aristocracy of the spirit, nobility derives from diametrically opposite sources. The glory of the feudal aristocrat is in being a link in the longest possible chain of ancestors. The glory of the aristocrat of the spirit is in having no ancestors - or having as few as possible. If an artist is his own ancestor, if he has only descendents, he enters history as a genius; if he has few ancestors, or is related to them distantly, he enters history as a talent.
A whole big, giant world full of men. Men with blue eyes. Brown eyes. Green eyes. And indescribable shades in between. Tall men. Short men. Skinny men. Built men. And all combinations thereof. Nice men (so I've heard, but never really seen). Mean men. Decent men, indecent. And who knows which is the best kind to have, to hold, to love? I'd say, with so many men in the world, it would pay to sample a few. Scratch that. More than a few. Lots and lots. And then a few more. And maybe, after years of research, you might find one worth not throwing back. But hey, the fun is in the fishing.
One very common thing is that often very brilliant children stop working because they're praised so often that it's what they want to live as - brilliant - not as someone who ever makes mistakes. It really stunts their motivation.
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