A Quote by Andre Ward

In the school of boxing that I come from, that's frowned upon, giving up free shots, cos we know what those kinda shots do to a man's career, regardless of whether it shows up now, or shows up when you least need it. It takes a toll.
I've been feeling really comfortable on clay because I have more time to set up my forehand. I can use a lot of different shots - drop shots and high balls. You can mix up a lot of shots, so it's actually more fun to play on clay.
There is money to be made giving trick-shot shows at schools, clubs, tournaments, and even shopping centers. Pool shows on television almost always include a few fancy shots.
On the off days, you have to come in and try to maintain your rhythm, just try to keep everything together. I sometimes come by myself, or some of my boys, get up a few shots, not too much, before or after practice. I always find time to get some shots up.
It's one of my obsessions to come up with ways to reimagine establishing shots in new, non-boring ways. Shots that have energy and excitement.
I found out some of the spots on the floor that I like to shoot - do my little floater shots, my pull-up shots, being able to get all the way to the rim. By me doing that, it's kind of opened up my 3-point shot.
I'm definitely saying right now that if I had to face Shaq's mom at WrestleMania, I will not show up. I'll be scared. If Shaq shows up, no problem. Shaq's mom shows up, eh, I don't know. I think I might get the flu.
I have never done a show based on whether it will work or not. I took up all my shows because I liked the character and wanted to be part of those shows.
When you write a show, you just never know if it will have a future or if the show will end up ever having a production, but, that doesn't mean that the songs - the best of the best songs - can't be pulled out and put on a CD. And, if the shows that they come from end up happening, then people will regard this as like a quirky little concept recording. And, if the shows don't end up happening, at least the songs will live on in some capacity.
TV has gone back to basics, relating to middle class family with real characters, less make-up and simple shots. I feel as an actor it is a delight to work in such shows.
Making the tough shots and leaning in a certain way and a fadeaway and stuff like that, those are tough shots, but those are shots you have to learn to make in this league.
It is very difficult to shoot mythological shows. The costumes and the make up are very time consuming... It definitely takes a toll on the body.
The first two, three, four weeks are wasted. I just show up in front of the computer. Show up, show up, show up, and after a while the muse shows up, too. If she doesn't show up invited, eventually she just shows up.
When you're playing spot minutes, it's harder to hit those shots. But if you're getting volume shots, now it's a lot easier to get a rhythm.
Boxing on Long Island - there is history there. It's been a while since Buddy McGirt and Gerry Cooney, but you know, we are in kind of a resurgence now. We are putting our show there constantly - Star Boxing shows at the Paramount have drawn big crowds over the years and there is a lot of up and coming talent there now. You see more and more gyms with competitive professional fighters.
Six good guest shots on top shows during one season are more than enough and any producer who wants to make me happy could offer some floating guest dates for discussion and panel shows. It's generally agreed that I love to talk, so shows of this kind are right down my alley.
Show up, show up, show up, and after a while the muse shows up, too. If she doesn’t show up invited, eventually she just shows up
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