A Quote by Andrea Arnold
Usually, I make such small-budget films that I can't afford to buy weather.
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Alternate between short films, long form films, with or without stars, small budget or big budget films. Basically a filmmaker needs to be flexible.
I don't choose to make low-budget films. But that is the reality of surviving in the Japanese film industry. However, the trade off is, since we're working on small budgets, we have freedom. You can't buy this freedom with money. With this freedom, I think there are an infinite number of possibilities.
I am ably balancing big and small films. With every big film I do, I try to take up films that are high on content and small on budget.
There are two types of films - one made by the big-time producers, the other is low budget stuff made by some producers who make films for the heck of it, they complete their films for small amounts, sell it at low costs with almost no publicity.
Small films, made on shoe-string budget work in big centres, and for that a substantial amount of budget should be set aside for marketing.
The difference between working on Asian and American films is in the producer and director; everyone has their own style. But, Hollywood has a lot more money; they can spend a lot on films, and time. In Europe, there's a small budget and thinking about commercial. Only budget and taste is different between there and Hollywood.
I can't afford to wait for big films. So I take up small films as they provide maximum exposure.
The bigger the budget, the more you can afford to compromise with Mother Nature. The smaller the budget, the more you're like, "Okay, well, we have to do this, but how can we afford to do it." That's when you have to get really creative on the business side, as far as making compromises.
You don't buy into huge car chases or sensates or interstellar warfare, but you can buy into a loving relationship or a father-son relationship, and you can buy into the small humor. If you want to make your fiction universal, go small. That's the best way to do it.
When I was a kid, I wasn't looking at the small-budget films myself. I was looking at 'James Bond' and all the major films, so I still have that energy. I still love those films.
I've been blessed with enough wealth that I can make a film myself up to a certain budget. So one way I thought I would reinvent myself was just to make these very small, personal films that I've financed myself.
So many older people are on a very small budget and just wouldn't be able to afford a TV licence.
We had such a small budget making our first record, and the only way we could make it work was that the record company would find studio time in the middle of the night - literally, that was so cheap that we could afford to do it.
I don't choose to make movies as small as the movies I've made. The combined budget of my two films is far under $5 million, but it's just by necessity that it ends up being that way.
This is a wrong notion that I work in big budget films. Infact, usually low budget films are offered to me, they come and say it's a good story but they don't have the money.
I wanted to try every style available to me - large productions, small productions, studio films, low-budget. You just can't sit around and wait for every big-budget film to come along.
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