A Quote by Andrea Barber
I wore one on the first episode of season one [of Fuller House], and then I saw it, and I went back to my hairstylist, and I was like, "We are never using this again!" I know it was a good throwback for that first season, but I am 40, I cannot pull off a scrunchie anymore. Nobody should be wearing a scrunchie anymore. I feel angry. That is my tipping point.
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Nobody should be wearing a scrunchie anymore. I feel angry. That is my tipping point.
When you have this long of a run [in The Big Bang Theory], you don't have to have something happen every episode. Like, Sheldon lost his virginity last season and in the first season he didn't even like girls. So I feel like you can earn that stuff. And that is really fun, because you get to find new layers. It's a testament to the writing.
When I was only in the first episode of Orange Is The New Black, I'm thinking by lunchtime I'm ready for my contract, like, "What's up?" I finally just spoke up and said, "What's the deal? This is the first episode. I'd love to be on your show." And they said, "Oh, Lori, we filmed out of order, we already filmed the whole season two." So I had to wait six whole months to come back again.
It seems like songwriting for most songwriters is only one season in their life, a five or ten year period. For me, I don't worry about it, but I know there might come a day when I can't write anymore, or don't have good song ideas or the fire to do it anymore.
In '87, I was about 9 years old, and so at that point I was wearing, like, fluorescent green T-shirts and acid-wash jeans and leg warmers, and my hair was in a ponytail with a scrunchie and I had the teased bangs that were up in a rainbow shape. It was crazy.
I remember, my first season was 1999, and I must have crashed about 13 times in that first year. But then, in the second season, you crash about half as much and then, in the third year, even less again.
When you do the first season, you're putting your life out there and you're kind of hesitant about it, and then by the time you get around to the second season, you don't care. It's like, "This is who I am - like it, accept it, or don't." There are so many misconceptions that now they can see who I am.
I had a good first season at Tottenham, but in the second there wasn't a sequence of games. So when I didn't feel happy, I waited for the season to end and then asked the president to let me go to try another challenge.
I didn't get paid to write professionally until my first episode of 'Kyle XY,' which was the fourth episode of the first season.
I did an episode of 'Entourage.' I played Morgan - I think it was season three or season four. It was actually my third audition, and it was my first big job.
'DWTS' came to America and I was ranked first in the U.S. When I got the call, I turned them down. That's why I missed the first season because I felt like I was still seriously competing and it would have been distracting. They called me again for the 2nd season and I said yes. I wanted to see what it was like to do something different and here we are.
I said publicly last year that I wanted 2012 to be a great season, not just a good season. We certainly had a very good season and perhaps exceeded a few expectations. But Broncos fans, you and I know what a great season looks like.
I like the triangle. My first season, the whole first season, we played nothing but the triangle, so I know it pretty well.
Whenever you're blessed and given a second season, you can really let the characters evolve. That first season, you're setting everything up. It's background, where they're coming from, what they want to do. And then you get to marinate in it that second season.
Arrested Development never felt safe. Even the first season, we did thirteen episodes, and we thought we'd never do a back nine. So I never thought in a million years we'd get to make three seasons. I was happy we got that far. I thought it was really good, and I'm really proud of it. I don't think we made a bad episode.
Nobody cleans out their closet at the end of the season anymore.
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