A Quote by Andrea Barrett
When I'm sniffing around new territory, I often choose, rather randomly, one general book and then follow its bibliography and notes to other, more specialized works and to the primary source material.
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I will do a lot of research and create a lot of material for use in one painting. And then I go on discovering and working with a whole other range of material in another painting. I'm interested in a fairly comprehensive and orchestrated synthesis that might bring about a new situation consisting of this hidden material. I'm interested in hidden source material.
It's not at all good when your cancer is 'palpable' from the outside. Especially when, as at this stage, they didn't even know where the primary source was. Carcinoma works cunningly from the inside out. Detection and treatment often work more slowly and gropingly, from the outside in.
Something wonderful begins to happen with the simple realization that life, like an automobile, is driven from the inside out, not the other way around. As you focus more on becoming more peaceful with where you are, rather than focusing on where you would rather be, you begin to find peace right now, in the present. Then, as you move around, try new things, and meet new people, you carry that sense of inner peace with you. It's absolutely true that, "Wherever you go, there you are.
If a person is constantly evolving, constantly reading new material and being exposed to new material and growing in life, then you're becoming, hopefully, a more intelligent and well-rounded individual. If you're not then something's wrong and you're sliding back in the other direction.
Well, I think that the most exciting stage of any tour is getting the tour together. Because when new material works, there is no other feeling like that. It's just brilliant. And for the first half of the tour, you're still often finding the extra stuff in that material. You're exploring it every night.
My biography of Jesus is probably the first popular biography that does not use the New Testament as its primary source material.
Guys are like dogs: they never notice if you've changed your hair, but they can sense when there's another guy sniffing around their territory
A movie is not a book. If the source material is a book, you cannot be too respectful of the book. All you owe to the book is the spirit.
If we choose a weak and foolish speculation as a primary textbook illustration (falsely assuming that the tale possesses a weight of history and a sanction of evidence), then we are in for trouble - as critics properly nail the particular weakness, and then assume that the whole theory must be in danger if supporters choose such a fatuous case as a primary illustration.
What I try to do - and I think this is the former librarian in me - is to get primary source material.
Have more than one idea on the go at any one time. If it's a choice between writing a book and doing nothing I will always choose the latter. It's only if I have an idea for two books that I choose one rather than the other. I always have to feel that I'm bunking off from something.
I've always relied on producing more material than I need. With each of my published novels I've written around four times the amount of material that's ended up in the book.
Having read the source material, I had to have drawn from that. As a fan, I wanted to remain true to that character, but it was really cool because, as we were figuring these characters out, I realized that there was a lot more backstory, rather than what I had gotten just from reading the book. Glenn doesn't really get much of a backstory there. He's just seen as this kid who is put in this situation, not knowing where his mind-set is, but then you slowly see him start to develop.
The main issue was deciding what to play: Should it be old Ramones material or new material? I had about three albums worth of new material, but I knew that people would rather hear the Ramones songs.
A sharp difference should exist between general education and specialized knowledge. As particularly today the latter threatens more and more to sink into the service of pure Mammon, general education, at least in its more ideal attitude, must be retained as a counterweight.
There are literally a thousand works with the title Malcolm X in them. There are over 350 films and over 320 web-based educational resources with the title Malcolm X, yet the vast majority of them are based on secondary literatures, that is, not on primary source material.
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