A Quote by Andrea Barrett

Sarah Cornwell has a brilliant eye for the telling detail, and a wonderfully original way of embodying family history. I was captivated by her memorable characters and the perfectly paced revelations of their surprising relationships.
Sarah Jane Smith was everybody's hero when I was younger, and as brave and funny and brilliant as people only ever are in stories. But many years later, when I met the real Sarah Jane - Lis Sladen herself - she was exactly as any child ever have wanted her to be. Kind and gentle and clever; and a ferociously talented actress, of course, but in that perfectly English unassuming way.
I have a wonderful family. My father is a brilliant father, and my mother a brilliant person who had mental-health issues, but has been wonderfully creative throughout her life. They couldn't have been more supportive.
Gail Anderson-Dargatz has a noticing eye, a voice as unique as the countryside she writes about, and a heart large enough to love her entire cast of distinct and memorable characters. In The Cure for Death by Lightning she fashions an irresistible song out of the joys and dangers of growing up, the mysteries and wonders of life on a farm, the thrilling terror of trying to outrun the awful unseen force that pursues a growing girl. This novel opens a door to a shining, surprising world.
The pleasure of writing fiction is that you are always spotting some new approach, an alternative way of telling a story and manipulating characters; the novel is such a wonderfully flexible form.
Kyria Abrahams, former teen bride of a doomsday cult and seeker of salvation in slam poetry, tells the terribly funny story of her improbable life with candor, wit, and an unsparing eye for the perfect detail. Brilliant.
I knew from reading about Sarah Grimke that she'd been given a handmaid to be her personal slave and that her name was Hetty. The only other fact I knew about her was that Sarah taught her to read: They conspired in a very subversive way, by locking the door and screening the keyhole.
M. J. Putney's writing has always been magical; now that she has turned her hand to the telling of a fantasy tale, it sparkles on the page. Stolen Magic has to be one of the most delightful reads of the year, a witty, finely crafted tale that enchants from beginning to end. As always, Putney's intelligent wordsmithery, scholarship, eye for detail, and ability to bring to life irresistible characters add up to enjoyment on every page. Fast-moving and fun!
Gerda Lerner was fierce, brilliant and unique. She lived history by her bravery, restored history by her scholarship, and democratized its study by her activism.
The airline business is fast-paced, high risk, and highly leveraged. It puts a premium on things I like to do. I think I communicate well. And I am very good at detail. I love detail.
Some 'Terminator' fans are outraged that I'm playing Sarah Connor. They think I'm not muscly enough. To be honest, I'm a little tired of the comparisons to Linda Hamilton. I know she will always be the original Sarah Connor, but when people see what I bring to the role, they will look at her with new eyes.
What is enthralling and illuminating about The Metaphysical Club is its portraits of individuals and their milieus. Menand is wonderfully deft at evoking a climate of ideas or a cultural sensibility, embodying it in a character, and moving his characters into and out of one another's lives. What might have been a jumble of intellectual movements and colorful minor figures (...) is instead a subtle weave of entertaining narrative and astute interpretation.
'Pretty Deadly' is the story of these immortal and mortal characters, and the mortals' story follows Sarah's family, a black family, through the ages. I never made the choice of, 'Oh, this is gonna be the story of an African American family!'
One of the most beautiful experiences our family shared was feeling the love and bond that came to life when my mother was battling her ovarian cancer. In a way, it brought our family together and opened up relationships and a closeness that was not felt before her diagnosis.
When I looked further into my mother's history, I realised that her anxieties and her neuroses could be accounted for by facts from a very early age. Her parents, William Henry Jones and Sarah Emily, were desperately poor.
I keep what I know about Sarah Lynn and Lawrence to myself. I also remind myself that even if Sarah Lynn does have a scary strict father, that doesn't release her from the responsibility of treating others with respect. Abuse of power is wrong, no matter the context, no matter the history. What is "power" anyway? Power is an ego trip. Power is a way to rise yourself up by lowering others, and I want nothing of it.
Some of the pictures in 'The Human Face of Big Data' will bring tears to your eyes; others are so surprising or memorable that you just have to show them to your friends and family.
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