A Quote by Andrea Bocelli
The themes I sing about tend to be centered on love, but in the most total, general way 360 degrees of love.
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That love is reverence, and worship, and glory, and the upward glance. Not a bandage for dirty sores. But they don’t know it. Those who speak of love most promiscuously are the ones who’ve never felt it. They make some sort of feeble stew out of sympathy, compassion, contempt, and general indifference, and they call it love. Once you’ve felt what it means to love as you and I know it – the total passion for the total height – you’re incapable of anything less.
You want to have a feeling when you sing that you just love singing; you love the feeling of singing, and you love this feeling of this voice coming out of your body into this world. It's about really getting that most beautiful, pure, centered tone, thinking about the story of each song and the lyrics, and connecting your own life to that story.
For me, it's more powerful to hear people sing about God than love in most circumstances because I've been hearing people sing about love for most of my life.
To love someone properly probably means that you won’t be very popular. Pure love, loving the way it was intended, is unfortunately a foreign concept to many. Love is messy. Love will involve hardship, demand patience, require forgiveness, test maturity, strain friendship, challenge priorities, refine character, ignite the heart and unleash the soul. Love is not something you sing about, it’s the reason you sing. Love is not something you write about, it’s the reason you write. Love is not something you live to find, it’s the reason that you are alive.
Gentle lady, do not sing Sad songs about the end of love; Lay aside sadness and sing How love that passes is enough. Sing about the long deep sleep Of lovers that are dead, and how In the grave all love shall sleep: Love is aweary now.
I'm happy to stick with my persona. There are themes of love lost and love regained, but the main themes of all poems are basically love and death, and that seems to be the message of poetry.
I love, love writing about Los Angeles. I love exploring every part of it. And I find, rather than a burden, it's actually one of the most enjoyable parts of the writing process for me. I love everything about L.A. Okay, not the traffic. But I love the way it looks. I love the geography. I love the diversity.
You know how we always said 'Devil May Cry 5''s themes were about photorealism and the uncanny valley? That was a lie. The real themes centered around setbacks and awakenings.
Most of my songs are about love, I am a 16 year old teenager and I sing about what is on every girls mind. Love
So I want to identify, if I can, the most important thing that we discover in life. At least, it is the most important thing that I have discovered. I will share it with you, like a precious jewel, fit for this occasion. I refer to love. Love for one another. Love for our community. Love for others everywhere in the world. Love transcends even scholarship, cleverness and university degrees. It is greater than pride and wealth. It endures when worldly vanities fade.
Everyone here seems to appreciate the sunshine way more than we do in California. We tend to take it for granted, but in Chicago, it's like Woodstock love every time it gets above 70 degrees.
Envy, jealousy, ambition, any kind of greed are passions; love is an action, the practice of human power, which can be practiced only in freedom and never as a result of compulsion.
Love is an activity, not a passive affect; it is a "standing in," not a "falling for." In the most general way, the active character of love can be described by stating that love is primarily giving, not receiving.
You take 35 degrees out of 360 degrees and call it a photo. No individual photo explains anything. That's what makes photography such a wonderful and problematic medium.
Love, like everything else, exists in a spectrum. Love of another, love of the world, love of God, all these loves are really one love in different degrees of light and density.
This concept could easily have gone awry. Stories about love tend to go that way sometimes. They wander into the realm of cheese and never return, which I think is a shame, because there is a way to write about romantic love without breaking out the Velveeta.
This is love: You stop bothering about the universal, the general, get sucked instead into the local and particular: When will I see her again? What shall we do today? Do you like these shoes? Theory and reflection are delicate old uncles bustled out of the way by the boisterous nephews action and desire. Themes evaporate, only plot remains.
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