A Quote by Andrea Corr

There's a plain girl in everybody. — © Andrea Corr
There's a plain girl in everybody.

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Deep down inside, I'm really a black girl stuck in a Mexican girl's body. But I'm also in touch with my inner white girl and my inner Asian girl. I feel like a little bit of everybody.
I am a huge, huge fan of the plain white tee. A good-fitting, vintage plain white t-shirt, like the 'boyfriend shirt', is the sexiest thing a girl can wear. It goes with anything, fancy or casual.
In the future there are going to be no pretty girls, for the simple reason there will be no plain girls against which to contrast them. Of late I have done some systematic reading of ladies papers. The plain girl submits to a course of "treatment." In eighteen months she bursts upon Society an acknowledged beauty.
When I came up with the Alexa Bliss character, I wanted to be the girl that everyone knew. There was always that girl in high school who was mean to everybody. She was mean and rude, but everyone still voted for her to be homecoming queen. That girl. And I wanted to portray that girl.
I always play girls who are quite traumatised, or a plain girl, but I'm happy with that.
I glean a few times a week, and it's all about the subject line. I look for the lyrical, "Billowy Red Scarf Girl" or the funny, "Hipster Chick Who Passed Gas," the unintentionally funny, "Looking for the Hot Girl in Pink Dress," ones that immediately suggest images, "Furry Arms Under a Yellow Umbrella," or the plain odd, "Seeking Girl Who Bit Me Twice..." I don't think I've ever abandoned one... the images usually arrive fully formed in my head as soon as I read the message, and I decide whether to draw it or not.
Oh, I get it, it's simple. PG means the hero gets the girl, 15 means that the villain gets the girl, and 18 means everybody gets the girl.
A great social success is a pretty girl who plays her cards as carefully as if she were plain.
I started out doing things like 'Flash Forward,' where I was the girl-next-door, and then, I did a show called 'Higher Ground,' where I played this really mean, sarcastic girl. Then 'Firefly' happened, and everybody thought of me as this bubbly, sweet girl-next-door again.
In many ways, I've chosen to be plain, almost too plain, too self-effacing. Like, if I record a vocal and I don't like the way it sounds, I would have them turn it up and take the reverb off it to make it as plain as possible.
No girl who is well bred, 'kind, and modest, is ever offensively plain; all real deformity means want of manners, or of heart.
I'd rather look ridiculous when everybody else does than plain and sensible all by myself.
Everybody has their cross to bear, and everybody has their issues. But it still never once occurred to me that I'm not as good as everyone else. And that's a gift I wish I could give to every girl.
So when you go to a set and you just fully trust everybody, you know how hard everybody's working, you know that the people doing it are good and have such a strong vision - that's exactly my experience on 'New Girl,' and what my experience on 'Veronica Mars' was like. Everybody was just so great.
So when you go to a set and you just fully trust everybody, you know how hard everybody's working, you know that the people doing it are good and have such a strong vision - that's exactly my experience on New Girl, and what my experience on Veronica Mars was like. Everybody was just so great.
With the draft, everybody was involved. Everybody was fodder. When you got to be 21, 22 and graduated from college, for two years your life stopped. If you had been running in the direction of your life, you had to stop and do this other thing which was, if not menacing, just plain boring.
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