A Quote by Andrea Corr

I just feel that if somebody happened to fancy somebody else, well, then, I should be a friend that he can say it to. — © Andrea Corr
I just feel that if somebody happened to fancy somebody else, well, then, I should be a friend that he can say it to.
<> It's nice of you to say I'm your best friend. <> You are my best friend, dummy. <> Really? You are my best friend. But I always assumed that somebody else was your best friend, and I was totally okay with that. You don't have to say that I'm your best friend just to make me feel good. <> You're so lame. <> That's why I figured somebody else was your best friend.
I'm able to lead my life as well as make a film. My wife and my friends and people around me know that I do tend to distance myself a little bit during the making of a film, but I have to, it's a natural part of the process for me because you are indulging in the headspace of somebody else, you are investing in the psychology of somebody else and you are becoming somebody else, and so there isn't enough room for you and that somebody else.
I would just like to be able to give to people through acting. If I can entertain people by being somebody else and allow somebody to feel something, then that makes me feel good.
In my first meeting with somebody, I kind of say, "What are your expectations?" And there are some people who say, "I just want to be fair," so then we have to qualify what that means. But when somebody comes in and says, "I just want to nail him. I just want to exact as much punishment as I possibly can." Well, that might be a case where I say, "We may not be the right firm for you."
And then after that, running around the bases, it was just one of those things. You couldn't believe what happened to you. And I look back on it, it's almost like it happened to somebody else.
I see it every day: People trying to create a home that somebody else tells them they should have. I don't care if it's a magazine or a bossy friend - when somebody says, 'This is what's elegant, this is what's trendy,' if it doesn't represent you, you're not going to be happy.
I think the purpose of a piece of music is significant when it actually lives in somebody else. A composer puts down a code, and a performer can activate the code in somebody else. Once it lives in somebody else, it can live in others as well.
People will say, 'Just one picture please.' That is how it starts. There is just one picture and then somebody else wants another. And when I say 'No' I feel guilty.
What you're trying to create is a certain kind of an indispensable presence, where your position in the narrative is not contingent on whether somebody likes you, or somebody knows you, or somebody's a friend, or somebody's being generous to you.
You don't wanna walk around and say, 'I'm somebody's niece, I'm somebody's cousin, I'm somebody's daughter. Who are you?' And I think that's always the challenge when you grow up in a well-known family, is ultimately, you have to face yourself in the mirror and say, 'Who are you? What have you done?'
I always figure, you come to a party, you gotta know somebody. And somebody leads to another person and leads to somebody else, somebody else. That's one of things that I really enjoy doing.
I'm never the kind of person to say what somebody else should do. I'm very much do what you feel to do.
I am asexual. A-sexual. I read somewhere, maybe on Facebook, where somebody said something like, "I heard Bradford was gay, but then I heard he was bi." Then somebody wrote, "No, I heard he was asexual." And then somebody said, "That's bullshit - he totally hit on my friend after a show."
I make such a good statistic, somebody should study me now; somebody's gotta be interested in how I feel, just cause I'm here, and I'm real.
We can carry the burden of hurt throughout our lives. We can make the hurt that we have experienced the defining aspect of our stories of ourselves. That means that somebody else gets to say who we are, somebody else gets to decide how we feel, and somebody else gets to decide how we see the world. Forgiveness not only frees us from the burden of someone else's opinion of us, but it allows us the opportunity to really write a story of ourselves that we can love, enjoy, relish, and live into.
I do the best I can when I'm accepting the role to say, 'This is about as much as I can do, and if that's not suitable for you, then you should hire somebody else.'
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