A Quote by Andrea Dworkin
The utopian male concept which is the premise of male pornography is this--since manhood is established and confirmed over and against the brutalized bodies of women, men need not aggress against each other; in other words, women absorb male aggression so that men are safe from it.
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The bonding of women that is woman-loving, or Gyn/affection, is very different from male bonding. Male bonding has been the glue of male dominance. It has been based upon recognition of the difference men see between themselves and women, and is a form of the behaviour, masculinity, that creates and maintains male power… Male comradeship/bonding depends upon energy drained from women.
In the beginning no power differential existed between male and female. God empowered both with full rights and responsibility to rule outward over all creation, not over each other. As we know all too well, the fall changed everything, precipitating male rule over women and also the rule of some men over other men, a.k.a., patriarchy. Within patriarchy, women no longer derive their value from their Creator, but from men - father, husband, and sons. Within patriarchy, a woman's value is gauged by counting her sons.
Whatever the gender of the participants, all pornography including male-male gay pornography is an imitation of the male-female, conqueror-victim paradigm, and almost all of it actually portrays or implies enslaved women and master.
Pornography reveals that male pleasure is inextricably tied to victimizing, hurting, exploiting; that sexual fun and sexual passion in the privacy of the male imagination are inseparable from the brutality of male history. The private world of sexual dominance that men demand as their right and their freedom is the mirror image of the public world of sadism and atrocity that men consistently and self-righteously deplore. It is in the male experience of pleasure that one finds the meaning of male history.
I think women don't see themselves and their sexuality as wholesome. And yet men's sexuality is everywhere. We experience it as a culture in stadiums, thousands of raging fans of male sexuality, screaming, "Kick the ball over the goal post. Get the ball in the hoop. Score a home run." Male sexuality lives in that prowess of the scoring, of conquering, of getting, of that beautiful male energy of domination, aggression, and the competition.
The film industry is driven by male narrative. Heads of studios are often men, teeming with male executives everywhere you look, and so the narratives we have the screenwriters usually for male leads. Women tend to be second string: the girlfriend of, the secretary who becomes.
We know from the book of Genesis that God created men and women 'in His image and likeness.' We know from the first letter of John that 'God is Love.' Therefore, men and women are made in the image and likeness of Love. This isn't hard to see. Look at the design of the male and female bodies. They are made for each other. In fact, neither one makes complete sense apart from the other.
It's called male bonding. You'll never get it. I believe women are as capable as men, deserve equal pay—and that one day, should be sooner than later, in my opinion, the right woman can and should be leader of the free world. But you can't understand the male bonding rituals any more than men can understand why the vast majority of women are obsessed with shoes and other footwear.
It's rare to see women in a film who are not somehow validated by a male or discussing a male or heartbroken by a male,or end up being happy because of a male. It's interesting to think about, and it's very true.
Guys constantly talk about pornography in two ways: as revenge and as reassurance. When you live in a world in which beautiful, sexy women are all around you, in the same classes, on the same athletic field, competing for the same jobs, then the pornographic world - the world in which women thrill to male sexual desire - reassures men that although they may feel "one down," they're still entitled to women's bodies.
When I first started, it was so male-heavy, so male-dominated, that on the 18th floor of the criminal courts building, which was where I worked, there were three men's bathrooms and only one women's bathroom.
The bar is the male kingdom. For centuries it was the bastion of male privilege, the gathering place for men away from their women, a place where men could go to freely indulge in The Bull Session.
In ancient times, people weren't just male or female, but one of three types: male/male, male/female, female/female. In other words, each person was made out of the components of two people. Everyone was happy with this arrangement and never really gave it much a thought. But then God took a knife and cut everybody in half, right down the middle. So after that the world was divided just into male and female, the upshot being that people spend their time running around trying to locate their missing other half.
It was believed by the purveyors of male fantasies in films that nurses were a popular male fantasy because they were caring, and they were women who could legitimately touch men all over.
The female experience is different from that of the male, and if, as a male writer, you cannot accept that basic premise, then you will never, ever, be able to write women well.
Because if you say men and women are the same and if male behaviour is the norm, and women are always expected to act like men, we will never be as good at being men as men are.
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