A Quote by Andrea Gibson

The trauma said, ‘Don’t write these poems. Nobody wants to hear you cry about the grief inside your bones. — © Andrea Gibson
The trauma said, ‘Don’t write these poems. Nobody wants to hear you cry about the grief inside your bones.
Nobody wants to hear how I think I've been mistreated, or how I think my punishment should be lifted, or tweaked, or reduced. Nobody wants to hear me say that, nobody cares what I think about this. I get it.
Quite often you want to tell somebody your dream, your nightmare. Well, nobody wants to hear about someone else's dream, good or bad; nobody wants to walk around with it. The writer is always tricking the reader into listening to the dream.
It is forever unspeakable that man must suffer so. But you learn to control yourself, to work efficiently. ... I used to cry, and want to cry, but what do tears do? I was so proud when first I began to conquer. ... Your cheeks feel white just the same, but inside, not outside. Nobody can tell to look at you. Nobody.
If you want to write poetry, you must have poems that deeply move you. Poems you can't live without. I think of a poem as the blood in a blood transfusion, given from the heart of the poet to the heart of the reader. Seek after poems that live inside you, poems that move through your veins.
When I was growing up, I think I was expected to be seen and not heard. You're this little, nerdy kid; no one wants to hear about how sad you are. Nobody wants to hear that you feel lonely.
I write poems for children to help them celebrate the joy and wonder of their world and to look at their lives from the inside out. I write humorous poems to tickle the funny bone of their imaginations.
It is easier not to say anything. Shut your trap, button your lip, can it. All that crap you hear on TV about communication and expressing feelings is a lie. Nobody really wants to hear what you have to say.
Write your script. When you see things you don't want, don't think about them, write about them, talk about them, push against them, or join groups that focus on the don't wants... remove your attention from don't wants.. and place them on do wants.
If I didn't write in my journal every couple of days, I felt like I was going to burst. Later I learned the research about how important journaling can be to recovering from trauma and grief. That was definitely true for me.
A great story poorly told doesn't do anybody any good at all, and nobody wants to hear it, and nobody wants to read it. The craft of it is really more important than the subject matter.
It's better to keep grief inside. Grief inside works like bees or ants, building curious and perfect structures, complicating you. Grief outside means you want something from someone, and chances are good you won't get it.
Nobody wants to hear my political views... so I won't be talking about that. But on diversity, nobody in this company has worked harder, done more and resourced it better than me.
Have you ever thought about those last moments of your life? Nobody wants a long, lingering illness; nobody wants just that; but it would be nice if you could have a day or two where you know it's coming.
I love acting. I just love it. It's in my bones. I remember when I was a kid, I watched an interview with Dennis Hopper talking about Jimmy Dean on the set of Rebel Without A Cause. Jimmy said to him, "If you've got to cry in a scene, you've got to cry. Make it real." And that's all that I believe in.
It's frustrating in the sense that I still think I could be competing at some sport at a fairly high level, which nobody cares about. Nobody wants to hear me say that.
One of the terrible things about George W. Bush Administration is that nobody wants to hear bad news. The neoconservatives are a small circle, and they're all sort of holding hands as they develop their policy, and outsiders aren't allowed. If you agree with the guys on the inside, you're a genius. If you disagree, you're a traitor, a pariah, you're an apostate, and you're not allowed in.
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